All Hallows by the Tower

All Hallows by the Tower is the oldest church in the City of London.

All Hallows means 'all saints' and the feast was instituted when martyrdoms increased during the persecutions of the late Roman Empire in order to ensure that all martyrs, known and unknown, were properly honoured. All Saints Day has been celebrated on November 1st since the 8th century.

1st-5th century: The Romans

In the crypt museum, still in its original place and at the ground level of Roman times, is a section of tessellated floor from a 2nd century dwelling. There are also other artefacts from the Roman occupation of this site. 

5th-11th century: The Saxons

In 675 AD Erkenwald was made Bishop of London and founded, on this site, a chapel of Barking Abbey, where his sister, Ethelberga, served as Abbess. Whilst the first church was made of wood, the undercroft and the great Saxon arch probably date from the 8th century and are part of the first stone church on this site. The Saxon arch is believed to be the oldest Saxon arch within the City of London.

11th-15th century: Medieval Times

All Hallows passed between various ownership from the turn of the first millennium to the 16th century. In 1539 it was exchanged to the patronage of the Archbishop of Canterbury, where it remains to this day.

12th-14th century: The Order of the Knights Templar

In 1119 the Order of the Knights Templar was founded. They would go on to become wealthy and influential throughout Europe, which brought them into conflict with the Catholic church. In 1307, Pope Clement instructed all Christian monarchs to arrest Templar Knights and seize their assets. King Edward II, who was unenthusiastic about this, was compelled to receive Inquisition Judges and, in 1311, trials were held at All Hallows.

The altar, in the Undercroft Chapel, is made of stones from Richard I's Castle Atlit, in Palestine.

The City of London Thoroughfare with Four Names

So which road am I on? Peter's Hill or Sermon Lane?

If you cross the London MillenniuM Footbridge, heading north, then you will find yourself on Peter's Hill. Continuing north, crossing Queen Victoria Street, you continue on Peter's Hill... or, do you?

You see Peter's Hill never came this far north, stopping at Knightrider Street, which itself has been shortened. Now, Peter's Hill joins with Sermon Lane, Knightrider Court and St Paul's Vista, all of which have signs stating these names. So, what is going on here?

Historically, Peter's Hill, Sermon Lane, and Knightrider Court were three separate, ancient streets. The former two were merged into one continuous route, primarily known as Peter's Hill, to create a wide approach to the London MillenniuM Footbridge, when it was developed in the late 20th century.

The City of London, however, chose not to eliminate the historic names entirely, so all three names were kept for different sections of the newly integrated route, leading to the current mess where maps, from different companies, label the same thoroughfare with different names. 

The sloped Sermon Lane with the stepped Peter's Hill.

Today, Sermon Lane is to the west of Peter's Hill and is now a sloped walkway, which separates it from Peter's Hill. This makes Sermon Lane more useful to those with mobility issues, pushchairs and such, as Peter's Hill (St Paul's Vista) has many granite steps.

Walking alone: Farringdon to Tower Hill... and beyond

St George-in-the-East church.

Monday December 8, 2025.

Today was my last day of annual leave, for 2025, and I wasn't going to waste it. So, off to London I headed.

Farringdon station.

A short walk to Watford underground station saw me catch a Baker Street-bound train, which I took to Finchley Road, where I waited 3-minutes for an Aldgate-bound train. Soon I was alighting at Farringdon station, ready for a walk.

Holborn viaduct.

I headed down Farringdon Road and onto Farringdon Street, passing below the Holborn Viaduct, crossed Fleet Street, and joined New Bridge Street, before heading west along Tudor Street. With lots of building work going on I took a slight detour up Bouverie Street and entered Magpie Alley. 

Magpie Alley tiles.

The tiled walls of Magpie Alley, which I had never seen, tell the history of Fleet Street's printing evolution from around 1500. Suitably filled with new knowledge I made my way out of Magpie Alley, avoiding the scaffolding and myriad trucks and lorries that filled the streets, and made my way down Whitefriars Street until I reached Tudor Street, again. This time I headed east and rejoined New Bridge Street, which I followed north until I turned east along Ludgate Hill.

How many street names in one photo?

Ludgate Hill brought me to St Paul's Churchyard and one of London's unique thoroughfares... Peter's Hill. Now, Peter's Hill has, over the centuries, moved as the area has gone through rebuilding. Now, it shares its route with Sermon Lane and Knightrider Court, which has moved from its original position to the east of Sermon Lane, to the west of it. And, depending on which online map you use, this thoroughfare is listed under different names. Confusing.

The St Lawrence Jewry drinking fountain.

Suitably confused I continued east onto Cannon Street, passing the St Lawrence Jewry drinking fountain, before turning up Queen Victoria Street, just so that I could walk through the Bloomberg Arcade and see 'Forgotten Stream' by Cristina Iglesias. 

The oldest church in the City of London.

I then rejoined Cannon Street until I reached Eastcheap. Following my feet I continued along Eastcheap until I reached Byward Street and All Hallows by the Tower. Now, All Hallows by the Tower is the oldest church in the City of London and I have walked by it on countless occasions, but never ventured inside. So, I remedied this error, on my part, and entered this ancient building.

As I entered a couple were just leaving, which, to my surprise, left me alone in the church, apart from a few volunteers who were replacing leaflets and checking the aisles.

The Lady chapel.

I set about exploring and was taken in awe with how incredible the interior was. My footsteps echoed off the flagstone flooring as I made my way through the building taking in the chapels and artefacts on display. Making my way through the door, below the organ, I noticed the Saxon arch and a sign 

indicating the directions to the Undercroft Museum, which I followed. 

The Undercroft chapel.

I carefully made my way below the church and was soon at the Roman street level of Londinium, with a tessellated floor still in place. Slowly I explored the entire space with its Roman, Saxon, Norman and countless other eras of artefacts all on display. More chapels were visited, before the route brought me back up into the church. Having explored as much as I could I headed outside to find that it had rained while I had been inside.

'The Golden Boy of Pye Corner'

"This boy is

in Memory Put up

for the late FIRE of

LONDON

Occasion'd by the

Sin of Gluttony

1666."

At the corner of Cock Lane and Giltspur Street you will find this unassuming golden statue. Once you have seen and understood the meaning of the statue, you will never look at it the same way again.

Back in 1666 it was close to this spot, on Pye Corner, that the Great Fire of 1666 was finally extinguished.

A newspaper cutting.

At some point, possibly in the Victorian era, a fig leaf was added to the statue, due to complaints from passersby. This newspaper cutting tells some of the story.

But why a golden statue of a chubby boy?

An inscription, below the statue, reads as follows:

The boy at Pye Corner was

erected to commemorate 

the staying of the Great

Fire which, beginning at

Pudding Lane, was ascribed

to the sin of Gluttony

when not attributed to

the Papists, as on the

Monument. And the boy was

made prodigiously fat to

enforce the moral. He was

originally built into the

front of a public house

called 'The Fortune of War',

which used to occupy

this site and was pulled

down in 1910.

'The Fortune of War' was

the Chief House of Call, 

north of the river, for

Resurrectionists in body

snatching days. Years ago.

the landlord used to show

the room where, on benches

round the walls, the bodies

were placed, labelled

with the snatchers'

names, waiting till the

surgeons at Saint

Bartholomew's could run

round and appraise them.

So, this statue represents God punishing the sin of gluttony, as the fire started at Pudding Lane and ended at Pie Corner. 

'MillenniuM Measure' by Joanna A. Migdal

The Scientific Instruments Makers MillenniuM Measure.

The MillenniuM Measure is the gift of the Court & Livery of the Worshipful Company of Scientific Instrument Makers of the City of London, in commemoration of the MillenniuM.

It comprises a 3-sided, 2-metre (2m = 2000mm) rule depicting two thousand years of history of the City, the Church and the craft of Scientific Instrument making.

Royal Exchange, City of London

This remarkable building, surrounded by the Bank of England, Mansion House and the Stock Exchange, was founded as 'a comely bourse for merchants to assemble upon' by the wealthy London mercer Sir Thomas Gresham.

The City of London Corporation and the Worshipful Company of Mercer provided the land, both of whom still jointly own the freehold.

Richard Clough, who designed the building, oversaw the import of various materials from Antwerp, such as: glass, wood, slate and stone, which he paid for out of his own pocket.

So impressed was Queen Elizabeth I by Gresham's achievement that, on January 23, 1571, she visited it and declared, "It must be called the Royal Exchange."

In addition to its trading floor and offices, the original building also enjoyed an upper floor of over one hundred popular and lively small shops, modelled after the New Exchange in Antwerp.

After the Great Fire of 1666 the Royal Exchange was twice rebuilt. In 1667, King Charles II laid the foundation stone for a building designed by Edward Jerman. This building, opened in 1669, had a tall wooden tower built over the south entrance. Unfortunately, this fell into disrepair and, 1821, was replaced with a stone tower, designed by George Smith. On January 10, 1838, this building was also destroyed by fire. The blaze was so bright that it could be seen from Windsor, some 24 miles (39 km) away.

Walking with Erin: British Film Institute to Crossbones Graveyard... and beyond

A 'Small Car Big City' Mini Cooper.

Saturday October 18, 2025.

It had been a while since Erin and I had taken a trip to London, so we needed to plan something. Erin found out about 'A Wicked Celebration' taking place at the British Film Institute, on the Southbank, so we decided that that would be our starting point.

We left home and made the short walk to Watford Metropolitan station and boarded a train for Baker Street. We changed at Finchley Road, where we boarded a Jubilee line train to Waterloo. 

Paddington Bear mural.

As we had plenty of time before the exhibition opened, we took a slow walk from Waterloo station, along Concert Hall Approach, and passed a great mural to Paddington Bear on the way. We then  explored the various external floors of the Southbank Centre. I have walked along the Southbank before, but never visited the various raised plazas that make up the Southbank Centre.

Water feature sculptures at the Southbank Centre.

The views from these raised walkways offered nice views of the River Thames, while different sculptures were dotted around, too.

Once we had seen enough we made our way down to street level and Theatre Road. For an exhibition about the phenomenon that is 'Wicked', there were no advertising signs or posters to say that it was on, which was a surprise. 

Vickers (Charlize Theron) EVA Suit, from Prometheus (2012).

We made our way into the BFI, via the Cinema and Box Office entrance, and climbed the stairs and joined a small queue of about twenty people.

Ozian coins.

After about ten minutes we were climbing the stairs to the Mezzanine Gallery and exploring 'A Wicked celebration'. Large panels, containing photographs and snippets of information, lined the wall, detailing the behind-the-scenes making of the movie. 

Erin with Glinda's costume.

Then there were the four small glass cabinets that held replica props, such as Ozian coins and Glinda's wand. At the end of the gallery were Elphaba and Glinda's dresses, protected behind glass, that allowed people to see the intricacy of their design.

Once we had seen everything, which didn't take long, we headed outside and sat and ate our lunch by the National Theatre.

Once we had eaten we decided to head towards London Bridge, by following The Queen's Walk. As Erin doesn't enjoy walking, as much as Keilyn, I thought that it would be easier if we walked towards underground stations, should she suddenly tire. Wooden huts, selling their wares, were already open and decorated for Christmas. 

Blackfriars Station commemorative plaque.

We passed Gabriel's Wharf, Thames Beach, Oxo Wharf and Sea Containers House, before we turned down Marigold Avenue onto Upper Ground. We then turned south, onto Blackfriars Road, passing the original entrance to Blackfriars station, heading to The Cut, where we stopped at a Tesco Express for some more snacks.

The Mint & Gospel Lighthouse Mission Shaftesbury Society.

From here we headed along Union Street, passing the London Fire Brigade Headquarters, an original tram shelter, which is now a 'Heard' burger restaurant, that looks rather nice. We then passed the old Ragged School building and, opposite, discovered that Crossbones Graveyard and Garden of Remembrance was open. So, we went in. 

La Catrina, donated by the Mexican Ambassador to the United Kingdom.

Besides a few volunteers, and a handful of other visitors, the place was remarkably empty. While Erin picked up an information booklet I made a donation and, soon, we were exploring this historic place. As we walked slowly around I told Erin about its history.

'Cain Memorial to the Abolition of Slavery' by Michael Visocchi

Just off Fenchurch Street you will find Fen Court, which was once the churchyard of St Gabriel's Fenchurch Street. This area is now in the Parish of St Edmund the King and St Mary Woolnoth. A few tombs remain among the grass and paved area, with a small bedded maze. But, the most striking feature, of this thoroughfare, is the granite pillars and what looks like a pulpit. This is the 'Gilt of Cain', or, the 'Cain Memorial to the Abolition of Slavery'.

The artwork comprises a group of columns, shaped like sugar cane, surrounding a podium, much like that used in a church or an auctioneer. Around each column are extracts from the poem 'Gilt of Cain', by Lemn Sissay. The podium contains a longer extract from the poem.

The memorial was designed by Michael Visocchi, in collaboration with poet Lemn Sissay, and was unveiled, in 2008, by Archbishop Emeritus Desmond Mpilo Tutu.

Michael Visocchi designed the granite sculpture to appear as though the columns were silent sentinels of a congregation, facing the podium. His idea was to shape the columns like sugar cane and for the podium to appear more like an auctioneer's stance, while also keeping in mind the ecclesiastical nature of the area. 

Lemn Sissay's poem, 'Gilt of Cain', weaves Old Testament biblical references with the coded jargon from the trading floor of the City's stock exchange.

This site was chosen as the Reverend John Newton, who was a slave trader turned abolitionist, was rector of St Mary Woolnoth from 1780-1807. He famously worked closely with William Wilberforce to help bring about the abolition of the transatlantic slave trade. This was achieved in 1807 and brought about the process of the emancipation of slaves, throughout the British Empire.

London's Drinking Fountains

In a bustling metropolis like London, it's easy to overlook the small, yet significant, historical markers scattered throughout the city. Among these are the numerous drinking fountains and animal water troughs, silent sentinels that tell a story of Victorian philanthropy, public health, and a bygone era before bottled water became ubiquitous.

Imagine London in the mid-19th century. The River Thames, while a vital artery for trade, was also a significant source of drinking water for many, often contaminated and leading to devastating outbreaks of cholera and other diseases. Access to clean, safe drinking water was a luxury, not a right, and for the working classes, it was a daily struggle. This pressing public health crisis spurred a wave of social reform, and a key initiative was the provision of free, clean drinking water for all. 

The Metropolitan Drinking Fountain and Cattle Trough Association, founded in 1859, became the driving force behind this movement. Their mission was simple: "to promote the erection of drinking fountains in the streets of London, and also of cattle troughs for the use of animals."

These fountains and troughs were more than just practical necessities; they were symbols of Victorian compassion and a commitment to public welfare. Funded by generous donations from individuals, charitable organizations, and even royalty, they sprung up in parks, market squares, and busy thoroughfares across the city.

"Why are there no roads within the City of London?"

The City of London was founded nearly 2,000 years ago, by the Romans, before they eventually left Londinium, leaving the City for nature to reclaim.

Over the centuries different tribes and groups moved to within the old City walls. Eventually these small villages coalesced into large hamlets and towns. And as they grew and expanded alleys, avenues, lanes, passages, pathways, streets, yards and walks were formed, creating thoroughfares. However, there were no roads.

This is because the Romans had streets, which comes from the Latin 'strata', making the word 'street' one of the oldest continually used words in the English language. 

It wouldn't be until the late 1500s that the word 'road' would enter the English language. 'Road' is derived from the Old English word 'rad', which means 'a riding journey, usually with hostile intent'. Hence the word 'raid'.

As the City of London had been around for centuries, before this, all of its thoroughfares were already named.

In 1994 everything changed, for the City of London. Boundary changes were put in place which caused the City of London to 'absorb' part of Goswell Road from neighbouring Islington. 

Ironically, Goswell Road was known as Goswell Street, up until 1864.

Goswell Road is over three quarters of a mile in length, but only about 100 yards of it falls within the City boundary. So, technically, there is still not a single entire road within the City of London.

Jamaica Wine House, City of London

Along St Michael's Alley, Cornhill, you will find this wonderful building called the Jamaica Wine House. It stands on the site of London's first coffee house, which, it turns out, was more than just a coffee house.

On what was part of the Cornhill Glebe land, land owned by the church to support a parish priest, the Jamaica Coffee House was established, by Pasqua Rosée. Pasqua Rosée was the servant of a merchant, named Daniel Edwards, who traded in Ottoman goods that included coffee. Edwards assisted Rosée in setting up the establishment to sell coffee, in 1652. This coffee house was one of the first places, in London, for people to experience coffee. 

Soon, the majority of its customers were concerned with trade in Jamaica, while financiers made up the rest. Not only was the coffee house used as a business address by traders, but also as a place where letters for Jamaica could be left and received.

The great Cornhill fire of 1748, which consumed over 100 houses, did 'but little damage' to the coffee house. 

In 1793 it was stated, in 'Roach's London Pocket Pilot or Stranger's Guide Through the Metropolis', that the best rum could be obtained at the 'Jamaica', and that 'one sees nothing but aquatic captains in the trade of that island'.

Dragon Boundary Marks for the City of London

One of the silver dragons that adorns Holborn Viaduct.

Anyone that has walked into the Square Mile along one of its main thoroughfares, will have passed by one of the fourteen silver dragons that mark the boundary to the City of London. 

The coat of arms of the City of London has two dragons supporting a shield that bears a flag of St George, with a sword in its top left corner. Atop the shield is a knight's helmet and plume, while the motto "Domine dirige nos (Lord guide us)" runs in a ribbon across the bottom. The sword, with its tip pointed upward, symbolises the martyrdom of St Paul, the patron saint of London.

One of the original dragons from the London Coal Exchange.

The City's first silver dragons adorned the London Coal Exchange building, which was situated almost opposite the Old Billingsgate Market. Then, in 1962, the Coal Exchange was demolished due to damage from World War II and the need to widen the road. However, the two 7 feet (2.1 metres) cast iron dragons, that had stood above the entrance on a parapet, were saved. Once they had been cleaned, repaired and painted they were mounted on Portland Stone plinths that are 6 feet (1.8 metres) in height and erected on Victoria Embankment, in October 1963.

Eleven more dragons, which are half-size replicas of these, were then erected at various points around the City of London boundary, during the late 1960s.

St Peter Westcheap Churchyard

St Peter Westcheap was built in the 12th century and was rebuilt in the 16th century, when it was known as 'St Peter's at the Crosse in Cheape', because of the memorial cross erected there by King Edward I, in 1291. The cross was to honour Queen Eleanor and marked one of the twelve places where her body rested on the journey from Nottinghamshire to Westminster Abbey.

It became a holy shrine, adorned with religious carvings, and was consequently removed by the Puritans. Musicians often performed on the leads of the church during processions; and it was here that Queen Elizabeth I, on her procession through the City of London, was presented with a copy of the English translation of the Bible. 

Three Lord Mayors are buried in the churchyard.

The church was not rebuilt after the Great Fire of 1666.

The shop on the corner, backing on to the churchyard, L & R Wooderson, was built just 21 years after the Great Fire.

Today, the churchyard is a pocket park, offering a place of quiet respite, just a stone's throw from St Paul's Cathedral. It is also home to a London Plane tree, said to be "the oldest tree" in the City of London.

Cuneiform Tablet: The oldest object in the City of London

London is home to many ancient and wondrous items, many of which are kept in museums and galleries. But, there are also ancient and historic objects simply dotted around London's many streets and thoroughfares.

The oldest of these objects would have to be the Needle of Thutmose III, which stands on Victoria Embankment. This obelisk dates from around 1450 BC.

Then there are the Roman remains, such as the amphitheatre, the old city walls and bastions, mosaics and the like. These were all created from 45 AD onwards.

However, this curious brown block, on display in St Vedast-alias-Foster Garden, is, I am sure, one of the oldest objects, as it dates from between 858 and 834 BC. 

So, how did it end up in a church courtyard in London?

'Ancient Lights'

It is always important to look up, as well as down, when walking along London's streets, in case you miss something. This is how I discovered these signs, beneath various windows across older parts of the city.

Because I had never seen them before I now keep a look out for them, and other old signs.

But what does the term 'Ancient Lights' mean?

To discover the answer we must travel back to the 12th century, and the beginnings of English Common Law.

Walking with friends: Bethnal Green to Spitalfields... and beyond

Saturday May 24, 2025.

When friends wish to accompany me on a walk, in London, I have to work out a rough route that will take in some sites that will appeal to everyone. As friends all have different backgrounds, interests and are of different ages, this can be a challenge.

However, I am always up for a challenge, so I set about planning a route that would encompass enough places of varied age to visit so that everyone would be satisfied.

I set off on the short walk to Watford Metropolitan station, where I met up with Steve, before boarding a Baker Street-bound train. Gary had made his way to Moor Park station and, with me calling him as we pulled in, joined us for the trip.

Alighting at Finchley Road we waited three minutes for an Aldgate-bound train, which we rode until Liverpool Street, where we took a Central line train the one stop to Bethnal Green.

On exiting the station we headed up Cambridge Heath Road and entered the Young V&A Museum. I had picked this particular place as we had all been children, once, and I knew that we would all see some things from our childhood. Besides, I hadn't been here in almost 8 years, during which time it had undergone a major refurbishment.

Passing through the reception, with its gift shop, we entered the main hall, heading to the first gallery on our left. Tin toys, railway sets, movie merchandise toys and posters, Christopher Reeve's costume from Superman IV: The Quest for Peace, toys from television series and so much more.

Then there was a dimly-lit room full of dolls houses, all lit up with tiny lights from within.

The War Horse puppet, a suit of Samurai armour, models, more toys, giant dolls houses that a child could easily fit inside, books and more.

A stage area allowed children to dress up and act out scenes, while a glass fronted cabinet held Boris Karloff's costume from 'The Bride of Frankenstein', while others contained Kabuki masks and more recent mass-produced masks.

A room, with a black and white floor, with pink walls, created the illusion, if you stood in the right place, of a person shrinking in one corner, while being unable to fully stand in another corner.

The Design Gallery showed how things were designed and manufactured, while another gallery showcased board games, cards and gaming consoles.

We explored the entire building and its exhibits, before making our way outside, after making a donation to the museum.

From here we continued up Cambridge Heath Road, before turning west down Hackney Road. As is common for this area of London, many old houses are sandwiched between new builds, while 'ghost signs' still advertise products and companies that no longer exist.  We continued heading west, before turning south, on Horatio Street, which brought us to Ezra Street. Ezra Street, and nearby Barnet Grove, are wonderfully preserved Georgian streets, some of which were used in the 1990 movie 'The Krays', standing in for Vallance Road, where the Krays childhood home was.

At the corner of Ezra Street and Columbia Road stands the Royal Oak, which, fortuitously, was open. So, in we went. It is a wonderful pub, full of history and retains much of its 1923 upgrades. Because  of its location and style, the Royal Oak has been used in numerous television series, like 'Goodnight Sweetheart' (1993-1999), and films such as 'The Krays' (1990), 'Lock, Stock and Two Smoking Barrels' (1998) and 'Legend' (2015).

Suitably refreshed we left this wonderful pub and headed along Columbia Road and turned down Barnet Grove, until we reached Bethnal Green Road. Feeling peckish we stopped for some lunch, which was filling, before continuing along Bethnal Green Road, stopping to stare at the phenomenally long queue outside 'E. Pellicci's'. 'E. Pellicci's' was where Ronnie and Reggie Kray ate breakfast, nearly everyday, and has become even more popular with tourists.

Turning around we crossed Bethnal Green Road and spotted the 'Marquis of Cornwallis' pub, so we went in for some refreshments. What a contrast it was. Its outside appearance looked rundown, with paint flaking from the walls and the lettering on the name almost completely vanished. Yet, inside, it was modern, with panelled wood and countless televisions showing different sports.

On leaving the 'Marquis of Cornwallis' we headed south along Vallance Road, passing Weavers Fields, stopping to take a photo of the buildings that now occupy the place where Ronnie and Reggie Kray had their childhood home.

From here we headed along Dunbridge Street and saw the Bethnal Green Bath House and, to its left, Repton Boxing Club, where the Kray brothers used to box. Dunbridge Street brought us to Cheshire Street and the next stop on our journey; 'The Carpenter's Arms'. 

This pub, built in 1871, is a wonderful little place. The small bar leads through to a small seating area and then into a small outside seating area. The walls are covered in framed photos of London Transport photos and maps, Repton Boxing Club, Truman Brewery photos and advertisements and more. Other framed black and white photos show some of the regulars enjoying drinks and having parties. Then there is a photo of Ronnie and Reggie. This pub was purchased by them, in 1967, as a gift to their mother, Violet. It was from offices upstairs that business meetings took place. It was also here, on October 29, 1967, that Reggie Kray had a drink to calm his nerves, before heading off to murder Jack 'The Hat' McVitie.

Once we had finished our drinks we continued along Cheshire Street and then turned south, down Brick Lane, passing the Truman Brewery and then Hanbury Street, where Annie Chapman was murdered by Jack the Ripper. Eventually we reached Fashion Street with its Moorish style market building that, when it opened, was a financial disaster. Some of the space was taken over by G Scammell and Nephew, who were wheelwrights. It was here that Scammell Lorries had their beginning.