'Assembly' by Peter Burke

Sculptures... Assemble.

On the Thames Path, in Woolwich, you will find sixteen metal men, congregating together as if they are about to attend a meeting. These curious figures, who would not appear out of place in an episode of Doctor Who, are actually a public art project, by the sculptor Peter Burke.

'Sculptures' by Andrew Baldwin, Trinity Buoy Wharf

Andrew Baldwin's 'Cab Tree' above the Orchard Cafe.

Trinity Buoy Wharf is full of things to discover. From its historic buildings and vessels, to exhibitions and sculptures.

Many of these sculptures, dotted around the site, are free to visit and were created by Andrew Baldwin. They are an eclectic mix.

'Aqua Gill' by Andrew Baldwin.

A master blacksmith and welder, for 28 years, Andrew Baldwin always had an interest in Victorian engineering. This, coupled with his skill at metalworking and his wild imagination, is what has helped him create some seriously outlandish sculptures.

Quirky, eerie, scary and wonderful in equal measure, these mechanical sculptures are fascinating to behold.

Trinity Buoy Wharf Chain Store and Lighthouse.

Then there are the non-mechanical sculptures, such as a metal lighthouse and this profile of Trinity Buoy Lighthouse and Chain Store.

Andrew Baldwin's work is constantly changing and evolving, but there is always a varied selection of his work on display, all over the Trinity Buoy Wharf site. 

A Robin visits Andrew Baldwin's 'Man' sculpture.

'My World and Your World' by Eva Rothschild

In Lewis Cubitt Park, King's Cross, you will discover this intriguing piece of public art.

At first I thought it was something that children could climb, with its bright colours and angled poles. But, on closer inspection, I realised that it was near impossible to climb. So, what is it?

It is actually a public sculpture, designed by Eva Rothschild.

Entitled 'My World and Your World' is Eva Rothschild's first permanent commission in London.

Standing 16 m (52 ft) tall and crafted from steel. The bold colours of black, green, orange, pink, purple and red break up its shape, which is inspired by the natural world. It resembles the branches of a tree, but it also could be a lightning strike or the tributary of a river.

Eva describes the piece as a 'social sculpture', enticing people to explore the park, in which it stands.

'Whale on the Wharf (Skyscraper)' by Jason Klimoski and Lesley Chang

Canary Wharf is home to over 100 pieces of public art, spread across the site from Westferry, in the west, to Wood Wharf in the east. 

Some of these works were purchased, while others were commissioned or are on loan to the Canary Wharf Group.

The latest piece to join this collection is 'Whale on the Wharf (Skyscraper)'. It was designed by Jason Klominski and Lesley Chang, from the architecture and design firm StudioKCA, with the aid of the Hawaii Wildlife Fund.

Standing at 11m (36ft), or four storeys tall, and weighing 5 tonnes, this permanent artwork shows the whale breaking the surface of the water, arching its back as if it is going to crash down on the footpath beside Wood Wharf.

The piece is made from plastic, washed up on Hawaiian beaches, in an effort to highlight the problem of plastic in our seas and oceans. The sculpture is not just made from recycled plastic, but sustainable elements, too. Its base is unique, being a first-of-its-kind low-carbon concrete underwater base, made from coffee grounds from local bars and cafes.

The Canary Wharf Group has, since 2009, sent zero waste to landfill from its managed areas. This sculpture has been placed to show their commitment to reducing waste. Even the installation process, of the sculpture, was carefully considered to minimise its carbon footprint.

To see more photographs of some of the public art on display, across Canary Wharf,

click on the link below.

Gallery

Canary Wharf Art Map: Download

'The Wild Table of Love' by Gillie and Marc

At the corner of Eastbourne Terrace and Praed Street, Paddington, there is a rather large sculpture of various endangered animals, sitting and having a banquet together.

The animals, being hosted by Rabbitwoman and Dogman, are a koala, Bengal tiger, African elephant, Masai giraffe, a hippo, a lion, Northern white rhino, mountain gorilla, Grevy's zebra and a chimpanzee.

Two seats allow visitors to join the banquet, as this is an interactive sculpture where interaction is key.

'Skystation' by Peter Newman

Wandering, as I do, I discovered this spaceship-like metal sculpture, near Nine Elms. 

Affixed to its side is a small plaque that reads:

SKYSTATION

51°28'57"N

PETER NEWMAN

0°08'11"W

2015

Besides this there is no explanation as to what this sculpture represents, or is for. 

'Vitreous Enamel' by Dale Devereux Barker RE

Walking along Cloister's Walk, in St Katharine Docks, you will discover a plethora of bright panels fixed into the arches that separate Cloister's Walk from St Katharine's Way.

There are one hundred and thirty five of these panels, with nine panels per arch.

Some of the designs are repeated, but sometimes with a different colour. However, each tells a story.

Dale Devereux Barker RE was commissioned for this project by Taylor Woodrow Properties, back in 1998. 

'Physical Energy' by G.F. Watts OM RA

'Physical Energy' in Kensington Gardens.

Walking through Kensington Gardens you will discover this huge bronze equestrian statue, entitled 'Physical Energy'. It stands overlooking the northwest side of the Serpentine and was sculpted by George Frederic Watts OM RA.

Brief History

G.F. Watts had been working on 'Physical Energy' since the early 1880s, and thought of it has a culmination of his work in the field of public sculpture. 

He was asked to cast the bronze as early as 1886, but instead continued work on and modify the gesso model. Watts used equestrian elements of the Elgin Marbles in designing the model.

In 1902 the first full-size cast of the sculpture was made at a foundry in Fulham. It was said to be Britain's largest bronze cast, at the time. Watts gave it to the British government and it was exhibited at Burlington House, in 1904.

It was originally intended to be erected at the burial place of Cecil Rhodes, in Southern Rhodesia, but, due to the costs and logistics of such an undertaking, it was instead made part of the Rhodes Memorial, near Cape Town.

In 1905 a second cast of the sculpture was made at a foundry in Thames Ditton. This second cast was more refined and took 18 months to finish. In September 1907 the 6 ton cast was unveiled at Kensington Gardens.

Two more full-size sculptures were created, each differing slightly. 

The third bronze was displayed in front of the High Court building, Lusaka, Zambia. However, after a few moves, it was finally moved to its current position, outside the National Archives, Harare, in 1981.

The fourth full-size sculpture was cast in 2017, using a new mould from the original model. It was commissioned by the Watts Gallery to mark the 200th anniversary of Watts's birth. It was displayed in the courtyard of the Royal Academy, before being permanently installed at Watts Gallery Artists’ Village.

Smaller bronzes were aloso cast throughout the years and sold. Some can be seen in various art galleries, around the country. 

'Jacob' by Shirley Pace

Wandering on the south side of the River Thames, where many of the old buildings have been repurposed as dwellings and businesses, you still come across new developments.

While many of these newer buildings still fit in with the aesthetic of the area, some do not. The latter can not be said of 'The Circle', on Queen Elizabeth Street. These newer buildings have been designed so as to not appear out of place, while still offering something new.

However, what caught my eye, as I strolled along the street, was this bronze statue of a Dray horse, named 'Jacob', stood in the centre of the road on a plinth.

When 'The Circle' was being developed the architects and designers wished to pay homage to the history of the area, hence the statue. 

As stated on the affixed plaque, Dray horses, from the nearby Courage Brewery, were stabled here from the early nineteenth century.

It is a wonderful statue that has caught the power of these mighty animals, that trekked back and forth through London, delivering beer.

The inscription on the plaque states:

"Jacob

The Circle Dray Horse

The famous Courage dray horses were stabled

on this site from the early nineteenth

century and delivered beer around London

from the brewery on Horselydown Lane

by Tower Bridge.

In the sixteenth century the area became

known as Horselydown, which derives from

'Horse-lie-down', a description of working

horses resting before crossing London Bridge

into the City of London.

Jacob was commissioned by 

Jacobs Island Company and Farlane Properties

as the centrepiece of The Circle

to commemorate the history of the site.

He was flown over London by helicopter

into Queen Elizabeth Street to launch

The Circle in 1987."

As a little footnote, I am not entirely sure that this is the actual derivation of Horselydown.

'Demon with Bowl' by Damien Hirst

'Demon with Bowl' by Damien Hirst.

Walking around the Greenwich Peninsula you will discover that the area is full of Public Art. Whether it be a small sculpture, interactive installations, a slice of a ship or a signpost, there is a lot to discover. 

Many of these are created by internationally renowned artists, that include Anthony Gormley, Alex Chinneck, and Damien Hirst.

Keilyn with the 'Demon with Bowl' sculpture.

It is the latter that has installed an 18 metre (60 foot) sculpture on the peninsula, outside the Greenwich Peninsula terminal of the London Cable Car.

'Modern Marriage' by Simon Fujiwara

'Modern Marriage' by Simon Fujiwara (2015).

Wandering around the Nine Elms Regeneration Zone, Embassy Gardens, surrounding the Embassy of the United States of America, you will notice some pieces of public art on display.

These works of art are on display along a Linear Park, which, when completed, will be a green walking route linking Battersea Power Station to Vauxhall.

One of the pieces that I find most interesting is 'Modern Marriage' by Simon Fujiwara.

This sculpture of a dismembered left foot, lying on its side, looks, at first glance, to be just a sculpture of a foot. However, on the sole of the foot there is a gold wedding ring embedded in the skin.

 

A wedding ring embedded in the sole of the foot.

It is an intriguing piece, that I find endlessly fascinating.

'Real Time' (Man in a Clock) by Maarten Baas

The man trapped in a clock, Paddington.

At the corner of Eastbourne Terrace and Craven Road, in Paddington, on the front of the EFL building, you will find a clock.

Now, clocks are everywhere, so why is this one so special? Well, this one has a man trapped inside it.

Yep. As you peer up at this clock, a man appears and cleans the clock face, from inside, rubs out the hands and then repaints them... every minute.

It is part of an art installation entitled 'Real Time', by Dutch artist Maarten Baas.

The first 'Real Time' piece, entitled 'Sweeper's Clock', was produced in April 2009 and consisted of a video of road sweepers moving rubbish around to create analogue clock hands.

Maarten Baas followed this up with a person painting a digital clock from behind a translucent screen and then a man painting analogue hands on a grandfather clock, from behind a screen.

'Light Tunnel'

King's Cross Light Tunnel.

I had heard, and seen images, of the Light Tunnel at King's Cross station, but had yet to see it.

Considering its location, linking King's Cross with St Pancras International stations it also guides visitors towards Granary Square and the markets, restaurants and shops near Coal Drops Yard, it wasn't the easiest thing to find. 

I entered it by using the entrance from King's Boulevard, which, I think, is a better way to first experience the light installation.

Colour-changing LED screens.

Using the King's Boulevard entrance to the King's Cross underground station really sets the mood for what you are going to see.

'Here' by Thomson & Craighead

'Here' by Jon Thomson & Alison Craighead.

One of the pieces of public art, along the Olympian Way, that I nearly didn't notice was this custom signpost. 

Signposts are commonplace, no matter where you go, so at first I paid this one no mind. It wasn't until I saw a blue information post closeby, that I realised what the signpost was.

'HMS Alice Liddell' by Shezad Dawood

'HMS Alice Liddell' by Shezad Dawood.

I was taken by complete surprise when, walking through St Pancras International railway station, I noticed a giant spaceship hanging from the ceiling, above the eastern entrance on Pancras Road.

The steampunk-gothic spaceship HMS Alice Liddell.

It is very 'steampunk' in its design and, after having a better look, I noticed that it had buildings on it. It also appeared to change colour, depending on the angle it was viewed from and the light hitting it. So, I took the lift to the next floor, to get a better view and understanding of the piece.

Depending on the light the spaceship takes on a different colour.

Sure enough the spaceship did have buildings on its top; a scale model of St Pancras International. I realised that this model is a kind of hybrid steampunk-gothic mix and that I was going to have to do some research on this intriguing piece of art.

'A Slice of Reality' by Richard Wilson

View looking east.

Northwest of the O2 Arena, along Olympian Way, there is a vertical slice of a ship, stood next to the bank. It is a strange sight to behold, looking like the remnants of some ocean disaster, but it is not.

The clean lines where the ship has been cut allow you to see the inner decks, gangways and the inner hull.

As it turns out, this is no accident, but rather a sculpture by Richard Wilson.

'Liberty Grip' by Gary Hume

'Liberty Grip' by Gary Hume.

Continuing my blogs about the various pieces of public art to be found along the Olympian Way, around the Greenwich Peninsula, I give you what I consider to be the strangest... 'Liberty Grip' by Gary Hume.

'Tribe and Tribulation' by Serge Attukwei Clottey

If you wander along the Olympian Way, which is part of the Thames Path around the Greenwich Peninsula, you will see numerous pieces of Public Art. There is 'The Tide', 'Here', 'A Slice of Reality' and more.

One of the most intriguing ones, that I have found, is 'Tribe and Tribulation' by Serge Attukwei Clottey.

'The Tide', Greenwich Peninsula

'Quick Tide' by Felipe Pantone.

Greenwich Peninsula is an ever-changing place to visit. From its massive Peninsula Square with its water fountains, its boutique market and shops and, of course, the MillenniuM Dome, or the O2 Arena is now known, there is always lots to see and do.

Looking down on Peninsula Square.

The riverside walk, towards Woolwich, has been cleaned up and now offers great places to sit and watch the activity of the River Thames. 

'The Tide' from the riverside.

While the Olympian Way, which leads on to the Thames Path, offers great views across to the Isle of Dogs and the various public art along that part of the route.

You are never far from the Greenwich Meridian.

One of the newest features, of the Peninsula, is 'The Tide', which is London's first-ever riverside linear park. This raised walkway allows you to sit above the bustle of Peninsula Square and relax. 

Walking with family: North Greenwich to Deptford... and beyond

Canary Wharf from the Olympian Way.

Saturday January 27, 2024.

I had decided to take a trip with Keilyn to North Greenwich, in order to walk towards Tower Bridge, as we had previously walked from North Greenwich to the Woolwich Foot tunnel... and beyond. Emma decided that it might be good for us all to go, but Erin was dead against it, preferring to spend her Saturday with friends, rather than 'trudge' around London. 

So, leaving her with her friends, the three of us jumped in a taxi to Watford Metropolitan station, jumped on a train, transferred to a Jubilee line train, at Finchley Road, and finally arrived at our starting point of North Greenwich just before 11:00.

'The Tide' at North Greenwich.

Our first stop was to the pop-up market, on Peninsula Square, for a hot drink, before heading towards 'The Tide', with its multi-coloured steps and great views.

From here we followed Olympian Way, which is part of the Thames Path, around the back of the O2 Arena, heading towards Greenwich proper.

'Liberty' by Gary Hume.

The first of the public art installations that we discovered, along the Olympian Way, was 'Liberty Grip' by Gary Hume, a strange piece of work that is modelled on mannequin arms. Vey odd, but still a delight to see.

At the back of the O2 Arena.

As I had never walked this part of the Thames Path, it was strange seeing the back of the O2 Arena, with its little pocket park for staff to use and the parts of the arena that you don't normally get to see.

'Tribe and Tribulation' by Serge Attukwei Clottey.

The next piece of public art we discovered was 'Tribe and Tribulation' by Serge Attukwei Clottey, which was a stack of container boxes, piled on top of each other. But, as you drew closer, you could hear sounds emanating from within the boxes. These 'sounds' were recordings from various Slave Fort locations along the former Gold Coast. It was delightful and disturbing, in equal measure.

'Here' by Jon Thomson and Alison Craighead.

Next, Keilyn spotted a signpost, which I had paid no mind to, seeing as it was just a signpost. However, I was wrong. This signpost had a name and was a simple piece of art, entitled 'Here', and was created by Jon Thomson and Alison Craighead.

'A Slice of Reality' by Richard Wilson.

But what I had heard about and was looking forward to seeing was suddenly in view. Quite possibly the largest piece of public art in London. 'A Slice of Reality' by Richard Wilson. A vertical section of an ocean-going dredger, left to rust in the River Thames. It was quite something to behold, when stood right next to it. It is a pretty awesome piece.

An old rotting dock with the new Canary Wharf.

We continued along the Thames Path, watching the skyline on the Isle of dogs change as our route meandered along the River Thames. There were plenty of other people using the route, too. Joggers, cyclists, dog walkers, but next to no families. Very odd. We passed the Greenwich Peninsula Golf Range, with Keilyn trying to reach through the mesh fencing to try and grab a golf ball. Fortunately, we found a few that escaped the confines of the range, so she was happy and hurriedly put them in her pockets.

The biggest 'Beer' sign that I have ever seen.

We discovered waterside pubs, a place where the Necrobus and other buses and cars were kept, boat repair yards, industrial works and much more.

Where some of the buses sleep.

Repairing the boat 'Alfie'.

Soon we could see Greenwich Power Station and, beyond, the Old Royal Naval College, and the masts of 'Cutty Sark'. All the while the kept looking across to the Isle of Dogs, trying to spot any new towers, since our last visit, to the Canary Wharf skyline.

Trinity Hospital.

After a slight detour, away from the river, we were soon passing the gigantic Greenwich Power Station, Trinity Hospital and heading along Crane Street, with its colourful pennants draped across the street, while signs and smells enticed weary travellers in for food and beer. 

Pennants.