Elvis Evolution: The Immersive Experience

Saturday July 26, 2025.

Elvis Evolution was first announced back in January 2024, with tickets going on sale in October 2024, just as we were about to give up hope of the experience ever happening. Then there was a setback, as one of the contributing companies went under, pushing the opening date back. This resulted in us having to change the dates of our tickets, which wasn't as simple as the website made out. Still, the tickets were swapped and the day had finally arrived.

We arrived at the venue almost forty-five minutes early, as was suggested, and entered the venue, at the Excel Centre.

With complimentary souvenir programme in hand we made our way into 'Bob's Burbank Diner', where we ordered 'Hounddogs' (Beechwood Smoked Pork with French's American Mustard & Ketchup, served with straw potatoes), and a 'Budweiser' to wash them down with. Service was quick and efficient, with the 'dogs' going down a treat.

We then went to the small gift shop, with its eye-watering prices, before exploring the diner. This 1950's style diner has authentic stools, tables and seating, with memorabilia adorning the walls. Retro televisions were set into the wall, showing various news programmes and videos of Elvis in action. This piece of Americana is based on the actual diner that was opposite the NBC Studios, where the '68 Comeback Special was recorded.

As a side note, Elvis' manager, Colonel Tom Parker, never released the tickets for the 'special', so the audience was drawn from the diner opposite the studios.

Soon we, the audience, were called to make our way through to the offices of NBC Studios. With little time to take in the decor of the studios, and with photography and filming forbidden, we are suddenly in the midst of the theatrics. An executive appears and begins giving us a briefing on what is happening. Evidently, Elvis is in his dressing room and is refusing to come out, afraid that after seven years of dodgy films he won't be able to sing as he used to.

The executive is joined by another executive, telling her to stall the audience, as they work to get Elvis out of his dressing room. Enter Sam Bell, a childhood friend of Elvis from Tupelo Mississippi. It is through his eyes that the rest of the theatrics are played.

We then leave the NBC Studios and 'board' the Mystery Train, which whisks us back in time to Tupelo, where we meet a young Elvis and Sam. For the next 35 minutes AI-rendered backdrops play on a large screen, taking us through their friendship, hopes, aspirations and dreams, while the actors bring certain aspects of their childhood to life. Church revivals, Beale Street and Elvis' recording of 'That's All Right' are shown, as we watch them grow, ending with Sam leaving to join the USAF, while Elvis tries to make it big in Memphis.

We then 'disembarked' from the Mystery Train and headed into the second bar, lovingly decked out like a Tiki bar in Hawaii. In fact this is the 'Blue Hawaii' bar, where we stop for refreshments. It will be twenty minutes before the theatrics begin again, thus ensuring that the company behind the 'Immersive Experience' can squeeze as much money from its 'audience' as possible.

Soon Sam Bell arrives and, along with the other executives, they announce that Elvis Presley is finally going to leave his dressing room. 

It is at this point we are ushered through some more doors, passing Elvis' dressing room that has been faithfully recreated, but that you can't photograph. Passing through another door we head down some steps and find ourselves in NBC Studio 4, where the '68 Comeback Special will be broadcast live, in an NBC first.

Jurassic World: The Exhibition

 

Time to get up-close-and-personal with some dinosaurs.

Thursday October 27, 2022.

Having travelled back in time, in 2018, to see Dinosaurs in the Wild, for Keilyn's 5th birthday, it was only right that we should take a trip to Isla Nublar to visit the Jurassic World Park.

We arrived at the port and took our place in the queue to have our photo taken with some dinosaurs, before we waited in line for our ferry to Isla Nublar.

Advertising for Jurassic World.

The trip to the island was uneventful, considering that the previous ferry had been attacked by a dinosaur on its return journey. We did, however, spot a flock of Pterodactyls soaring majestically through the air.

Erin and Keilyn preparing to enter Jurassic World.

Once we had disembarked we made our way through the Jurassic World gates, which were made from the reclaimed wood from the original Jurassic Park gates, and came face to face with a Brachiosaurus. 

The Brachiosaurus, a gentle giant.

There was a raised area from which to gain a better view and the entire area had binoculars, which allowed you look down into Gyrosphere Valley, where various dinosaurs could be spotted.

Looking through the binoculars into Gyrosphere Valley.

Passing beyond the Brachiosaurus and through the deep jungle we cam across an animal transport truck. The truck began rocking from side-to-side and a rumbling roar could be heard from within. Soon the head, and upper body, of a Stygimoloch peered over the back of the truck at us. 

A Stygimoloch not happy with its transport.

Not wanting to hang around, in case it escaped, we hurried into the Hammond Creation Lab. 

Information.

The lab was seriously hi-tec and was covered in screens, which showed how DNA was extracted, while others showed information of the dinosaurs on the island. Incubators were also dotted around, with some containing unhatched eggs, or sleeping baby Parasaurolophus. Other containers held various 'dino-poo', which allowed you to feel the different textures between that excreted from and omnivore, herbivore and carnivore.

Baby Parasaurolophus in the Hammond Creation Lab.

Sunborn London

Floating Hotel on the Royal Docks.

The Royal Docks, which have gone through an amazing regeneration, are home to, among other things, the ExCeL London exhibition centre, London City Airport, The Crystal, plus countless bars, restaurants and hotels.

There is, however, one hotel which is moored in the Royal Victoria Dock: The Sunborn London Yacht Hotel.

Sunborn at night.

I am hoping to pay a visit to this beautiful looking yacht, next year, even it is just for afternoon tea, or just a few drinks in the bar, one evening.

Millennium Mills

Reflections on the Past.

Sunday November 1, 2015.

My first visit to London's Docklands was back in 1988. Saturday October 8, to be precise, to see Jean-Michel Jarre's Destination: Docklands concert. Jarre, his orchestra and choirs were situated on a 1,000 ton floating platform, while the freshly painted Millennium Mills acted as a screen for the various images and lasers.

The rear of Millennium Mills

The grandstands, where the 200,000 spectators sat, have now been replaced with the ExCeL Centre, while the mills themselves are still awaiting a much needed makeover.

Back on the evening of October 8, 1988, the weather had been windy with a slight hint of rain in the air. Sunday night's show would be downright water-logged. The day I took this photograph, however, it was decidedly foggy, which made the derelict buildings seem even more forgotten by time.

Destination Star Trek London 2014: Day 2, part 2

Saturday October 4, 2014: Destination Star Trek, Day 2.

Part 2

Back at the first Destination Star Trek London, in 2012, a man named James Dillon, had an idea to create some bridge consoles, that he could erect in a hotel close to the ExCeL, purely for the enjoyment of the fans that couldn't make the official parties. This ended up going down a storm, not only with the fans but with everyone that visited the bar. 

This year, James Dillon decided to bring back the bridge consoles, but added a replica Transporter Pad and a Captain's chair, all being built a few weeks prior to DSTL 3, with the help of some volunteers. This project was known as the USS Riker's Beard.

The USS Riker's Beard, NCC-5318008, is a Sovereign-class starship, with James Dillon in command.

So, on leaving the ExCeL Centre, Len and I headed off to the Hotel Ibis Styles London Excel in search of the USS Riker's Beard. After entering the hotel, we saw a sign for the bar and followed it into a spacious room with a fair sized bar. There was a pool table and plenty of TV screens, one of which was showing Star Trek II: The Wrath of Khan. Bonus. The bar had a special menu  on, just for the weekend, which included;

• Vulcan Wings: Chicken wings with a bit of a fight
• Orion's Onion Rings
• Klingon Curry: A chicken meat fest of fire and rice
• Chili Trek Carne: More fire and ice on a plate of rice

After purchasing a beer, we sat near a table of Federation personnel, which included a couple of Borg drones, an Andorian, an Admiral, a Captain and a few lower ranking officers, Behind them, along the back wall, were the bridge consoles of the USS Riker's Beard. We had found her.

After a good look at the craftsmanship of the consoles and the obligatory photos were taken, we had another Romulan Ale, before going in search of the Transporter Room and Captain's chair. It didn't take us long to find them. We chatted with the various Starfleet personnel and alien lifeforms, that were in attendance, before taking yet more photographs. I had hoped to meet James Dillon and Darren Jamieson, but both were busy at other locations. Darren had been asked to be an Official Blogger, for DST 3, and had jumped at the chance.

After a good couple of hours in the bar, we decided that we had better make our way back towards home. So, after polishing off our Romulan Ale, we headed back to the Emirates Air Line and home. This is when The Voyage Home started.

Since we are now in the Winter Period (October 1 to March 31), according to the Emirates Air Line, the flights finish at 20:00, so we were left with a number of choices;

1. Swim the River Thames to the Greenwich Peninsula and the Jubilee Line
2. Catch the DLR at Royal Victoria to Canning Town
3. Walk to Canning Town Jubilee Line station
4. Walk to Canary Wharf Jubilee Line station

Number 1 was out of the question, on so many levels.

Number 2 was a distinct possibility, but we would rather not have to mess about with trains.

Numbers 3 & 4 both had merits, but it was number 4 we chose.

Now, walking around London is a pleasure that both Len and I enjoy, but on this occasion we made the wrong choice. Canning Town was roughly a half mile from where we were, whereas Canary Wharf was a mile and a half away, as the crow flies. Unfortunately for us, this mile and a half turned in to two miles, as we had to follow roads and narrow lanes, that seemed determined to take us away from our destination. 

Fortunately, we eventually made it Canary Wharf Station where we didn't have to wait too long, before our train pulled in to the station. We arrived back at Watford Metropolitan station, at 23:27, and made our way back to my house, arriving just before midnight. After a quick coffee Len left headed home.

All-in-all it was a terrific weekend that will last long in the memory.

Live Long and Prosper

USS Riker's Beard - End Result

Destination Star Trek London 2014: Day 2, part 1

Saturday October 4, 2014: Destination Star Trek, Day 2.

Part 1

Len and myself were back at the Greenwich Peninsula by 09:30, where we had breakfast at Costa Coffee, before catching the Emirates Air Line (cab 13) across to the Royal Victoria Docks.

The first thing we noticed, on entering Destination Star Trek 3, was how many more people there were, compared with the previous afternoon. There were couples and families, some in casual clothes but many wore costumes of various Star Trek personnel and aliens. Some were obviously homemade, while others were hard to differentiate from original and shop-bought ones. Even some of the kids were dressed up.

Once we had had a quick look around I headed off to Photo Shoot Area B, for my photo with an actor who portrayed my favourite Star Trek character, Chief Miles Edward O'Brien. A certain Mr Colm Meaney. And he was only here as Jonathan Frakes had cancelled his appearance, so there was no way I was going to miss this photo opportunity. Exactly on time the line began to move forward. Within a few minutes we were shaking hands and, as he clasped his hand on my back, the camera clicked. Feeling great I nearly walked out of Photo Shoot Area B without my photo!

After placing the photo in a protective cover, Len and I went off for a look around. Len bought a large Tribble for his wife, Emma Jayne, and I bought a small enamel pin badge, of the Klingon symbol. Unbelievably we ended up at the Klingon Zone.

After a drink, we stood by the Voyager Stage and listened to Bruce Greenwood (Christopher Pike from the JJ Abrams Star Trek reboot) talking about Star Trek, movies and taking questions from the audience. It was a highly entertaining thirty minutes.

We then went for another wander, before heading off to get our photo taken on the U.S.S. Enterprise NCC-1701-D Bridge. I had previously had my photo taken on this bridge, at Star Trek: The Adventure, back in 2003. On that occasion I had been sitting in Counsellor Deanna Troi's chair, not the Captain's chair. Plus I hadn't been wearing a uniform, unlike today. Luckily the queue wasn't very long and, after Len had posed for the camera, I took my place in the Captain's chair. Once I was comfortable the camera clicked, and another moment was captured, forever.

After this I had my photo taken with a Borg.

We then headed over to the Excelsior Stage, to watch the Costume Parade and Contest. Some of the costumes were absolutely amazing and there were some worthy winners. We were even treated to a dance from Ilia and Commander Willard Decker, which I managed to catch on video. Here's the link.

We then watched Nicholas Meyer (writer & director) give a talk on the Voyager Stage, where he discussed his time working on Star Trek, before taking some questions from the audience. This was another excellent and informative thirty minutes, where we learnt a lot.

As we passed the Klingon Zone a Klingon warrior was sitting on his throne with his feet up on the table. I tutted at him and motioned for him to remove his feet from the table, but his response was just to growl, which made Len and I laugh. That was not a good move on our part, as you will discover. Continuing on our tour, Len purchased a photo of Bruce Greenwood, for his wife, before I had my photo taken with Vegas Spock. 

Another look at some of the exhibits and stalls followed.

I was then approached by a beautiful pale blue Andorian female requesting to have her photograph taken with me. Of course I obliged her, as keeping up intergalactic relations is a core principle of Starfleet.

Then, as we headed back through the museum, the aforementioned Klingon warrior accosted us. Glaring at the two of us, he bellowed, "You two Pahtak were laughing at me! Who do I hit first?" Before I could even open my mouth to answer, Len pointed at me and said, "Him." The Klingon laughed and said, "Some friend.", before clapping me on the shoulder and wandering off. Feeling a little shaken up, we headed to the Klingon Zone for a drink. At the main table Jadzia Dax, in her wedding dress, was arm wrestling a Klingon female. Jadzia won.

We followed this by watching Suzie Plakson (K'Ehleyr) take to the Voyager Stage, with John Paladin (special makeup effects artist), to show us how she is transformed into the Klingon, K'Ehleyr.

Just before she finished, on stage, I headed over to Photo Shoot Area C, so that I would be close to the front of the queue, when she arrived as K'Ehleyr. As I moved in for my photo, Suzie took my hand and asked how my weekend had been so far, and thanked me for coming. I thanked her for being there and then the camera clicked. Yet another moment caught forever.

With our day at DST 3 almost over, we took one more look around and managed to purchase the last Federation of Beer gift bag, which contained two bottles of Orion Seductress Sindicate Lager, two Federation of Beer glasses and some Star Trek beer mats.

At this point we left, but our adventure had not finished...