Walking with Erin: British Film Institute to Crossbones Graveyard... and beyond

A 'Small Car Big City' Mini Cooper.

Saturday October 18, 2025.

It had been a while since Erin and I had taken a trip to London, so we needed to plan something. Erin found out about 'A Wicked Celebration' taking place at the British Film Institute, on the Southbank, so we decided that that would be our starting point.

We left home and made the short walk to Watford Metropolitan station and boarded a train for Baker Street. We changed at Finchley Road, where we boarded a Jubilee line train to Waterloo. 

Paddington Bear mural.

As we had plenty of time before the exhibition opened, we took a slow walk from Waterloo station, along Concert Hall Approach, and passed a great mural to Paddington Bear on the way. We then  explored the various external floors of the Southbank Centre. I have walked along the Southbank before, but never visited the various raised plazas that make up the Southbank Centre.

Water feature sculptures at the Southbank Centre.

The views from these raised walkways offered nice views of the River Thames, while different sculptures were dotted around, too.

Once we had seen enough we made our way down to street level and Theatre Road. For an exhibition about the phenomenon that is 'Wicked', there were no advertising signs or posters to say that it was on, which was a surprise. 

Vickers (Charlize Theron) EVA Suit, from Prometheus (2012).

We made our way into the BFI, via the Cinema and Box Office entrance, and climbed the stairs and joined a small queue of about twenty people.

Ozian coins.

After about ten minutes we were climbing the stairs to the Mezzanine Gallery and exploring 'A Wicked celebration'. Large panels, containing photographs and snippets of information, lined the wall, detailing the behind-the-scenes making of the movie. 

Erin with Glinda's costume.

Then there were the four small glass cabinets that held replica props, such as Ozian coins and Glinda's wand. At the end of the gallery were Elphaba and Glinda's dresses, protected behind glass, that allowed people to see the intricacy of their design.

Once we had seen everything, which didn't take long, we headed outside and sat and ate our lunch by the National Theatre.

Once we had eaten we decided to head towards London Bridge, by following The Queen's Walk. As Erin doesn't enjoy walking, as much as Keilyn, I thought that it would be easier if we walked towards underground stations, should she suddenly tire. Wooden huts, selling their wares, were already open and decorated for Christmas. 

Blackfriars Station commemorative plaque.

We passed Gabriel's Wharf, Thames Beach, Oxo Wharf and Sea Containers House, before we turned down Marigold Avenue onto Upper Ground. We then turned south, onto Blackfriars Road, passing the original entrance to Blackfriars station, heading to The Cut, where we stopped at a Tesco Express for some more snacks.

The Mint & Gospel Lighthouse Mission Shaftesbury Society.

From here we headed along Union Street, passing the London Fire Brigade Headquarters, an original tram shelter, which is now a 'Heard' burger restaurant, that looks rather nice. We then passed the old Ragged School building and, opposite, discovered that Crossbones Graveyard and Garden of Remembrance was open. So, we went in. 

La Catrina, donated by the Mexican Ambassador to the United Kingdom.

Besides a few volunteers, and a handful of other visitors, the place was remarkably empty. While Erin picked up an information booklet I made a donation and, soon, we were exploring this historic place. As we walked slowly around I told Erin about its history.

'Liberties of the Tower' and Tower Liberties Boundary Markers

Liberties of the Tower plaque.

At various distances from the walls of the Tower of London, there were thirty-one Liberty Markers, of which twenty-two can still be found (I believe). These markers denoted the outer limits of the 'Liberties of the Tower'.

The Tower Liberties area was an administrative and defensive zone set up around the Tower of London, separating it from the City of London.

This 'Liberties of the Tower' area was to be kept free of buildings, so that those in the Tower of London could see any approaching forces, and was set up after 1200.

Marker Number 23, Tower Hill Garden.

The boundary points were placed in an arc around the Tower of London, at a distance of an arrow's flight from its walls.

The Tower of London ran its own courthouse and police force and, in 1687, the people, living within the Liberties, were granted certain special privileges. These included being able to claim any beast that fell from London Bridge and freedom from the jurisdiction of the City of London.

'A Wicked Celebration' at BFI Southbank Mezzanine Gallery

Saturday October 18, 2025.

Erin, and to a lesser extent Keilyn, have a fascination with 'Wicked'. Both have seen the movie, while Erin has seen the 'Wicked: The Untold Story of the Witches of Oz', or, more simply, 'Wicked the Musical', at the Apollo Victoria Theatre.

So, Erin was exceedingly excited when she discovered that there was a free exhibition of behind-the-scenes photography, costumes and replica props from the forthcoming movie 'Wicked: For Good', being held in London.

So, off Erin and I set.

The exhibition was to celebrate Jon M. Chu's 'Wicked: For Good', the follow-up to the award-winning 'Wicked'.

Set on the mezzanine gallery at the British Film Institute, there were photographs on display, showing glimpses of what goes on behind-the-scenes. This included set design, costume design and more.

Then there were the glass display cabinets, where  a model of the Emerald City Express, Ozian coins, the Grimmerie, Glinda's wand and Elphaba and Glinda's costumes could be admired.

It was a small but informative exhibition, with roughly thirty people walking through the gallery, at any one time.

Erin thoroughly enjoyed the exhibition, filling her with anticipation for the film's release on November 21, 2025.

The exhibition has been running since October 9, at BFI Southbank Mezzanine, and finishes on October 19 at 17:00.

Being a free event, no tickets are required. But, capacity is limited, so entry is on a first-served basis.

Gallery

'Cain Memorial to the Abolition of Slavery' by Michael Visocchi

Just off Fenchurch Street you will find Fen Court, which was once the churchyard of St Gabriel's Fenchurch Street. This area is now in the Parish of St Edmund the King and St Mary Woolnoth. A few tombs remain among the grass and paved area, with a small bedded maze. But, the most striking feature, of this thoroughfare, is the granite pillars and what looks like a pulpit. This is the 'Gilt of Cain', or, the 'Cain Memorial to the Abolition of Slavery'.

The artwork comprises a group of columns, shaped like sugar cane, surrounding a podium, much like that used in a church or an auctioneer. Around each column are extracts from the poem 'Gilt of Cain', by Lemn Sissay. The podium contains a longer extract from the poem.

The memorial was designed by Michael Visocchi, in collaboration with poet Lemn Sissay, and was unveiled, in 2008, by Archbishop Emeritus Desmond Mpilo Tutu.

Michael Visocchi designed the granite sculpture to appear as though the columns were silent sentinels of a congregation, facing the podium. His idea was to shape the columns like sugar cane and for the podium to appear more like an auctioneer's stance, while also keeping in mind the ecclesiastical nature of the area. 

Lemn Sissay's poem, 'Gilt of Cain', weaves Old Testament biblical references with the coded jargon from the trading floor of the City's stock exchange.

This site was chosen as the Reverend John Newton, who was a slave trader turned abolitionist, was rector of St Mary Woolnoth from 1780-1807. He famously worked closely with William Wilberforce to help bring about the abolition of the transatlantic slave trade. This was achieved in 1807 and brought about the process of the emancipation of slaves, throughout the British Empire.

London's Drinking Fountains

In a bustling metropolis like London, it's easy to overlook the small, yet significant, historical markers scattered throughout the city. Among these are the numerous drinking fountains and animal water troughs, silent sentinels that tell a story of Victorian philanthropy, public health, and a bygone era before bottled water became ubiquitous.

Imagine London in the mid-19th century. The River Thames, while a vital artery for trade, was also a significant source of drinking water for many, often contaminated and leading to devastating outbreaks of cholera and other diseases. Access to clean, safe drinking water was a luxury, not a right, and for the working classes, it was a daily struggle. This pressing public health crisis spurred a wave of social reform, and a key initiative was the provision of free, clean drinking water for all. 

The Metropolitan Drinking Fountain and Cattle Trough Association, founded in 1859, became the driving force behind this movement. Their mission was simple: "to promote the erection of drinking fountains in the streets of London, and also of cattle troughs for the use of animals."

These fountains and troughs were more than just practical necessities; they were symbols of Victorian compassion and a commitment to public welfare. Funded by generous donations from individuals, charitable organizations, and even royalty, they sprung up in parks, market squares, and busy thoroughfares across the city.