Friday, August 05, 2011

'Burghers of Calais' by Auguste Rodin

London The Unfinished City
Freedom from Oppression.

Friday August 5, 2011.


The Unfinished City has an amazing amount of statues, memorials, sculptures and public art, both permanent and temporary, dotted around its streets and environs.

This sculpture stands in the Victoria Tower Gardens, on a spot picked by Auguste Rodin himself.

Imperial War Museum

London The Unfinished City
From Bethlem to Bedlam.

Friday August 5, 2011.


The Imperial War Museum (London branch) is one of my favourite museums. I cannot count the number of times that I have visited, but it would be in the high twenties. It holds a world-leading collection of artefacts from the earliest conflicts and wars through to those from current theatres of operation. 

Following a multi-million pound restoration, which saw the majority of the building redeveloped, including the entrance atrium, space has been created to show more objects from the collection, while creating additional exhibition areas.


Monday, June 27, 2011

Review: 'Fiddler on the Roof' by PHEOS Musical Players

Fiddler on the Roof programme
My copy of the programme signed by Mr Stephen Brown.

Saturday June 25, 2011.

Em-J and Len arrived at about 18:30ish and we made our way to Rickmansworth. Em-J drove and we parked in the car park just off the High Street, outside The Coach & Horses, as it was free and particularly empty. We then took a short stroll down the High Street towards Watersmeet Theatre, where we were going to watch the PHEOS MUSICAL Players presentation of 'Fiddler on the Roof.' It turns out that Len had never been to the Theatre before, so this was to be a real treat for him. Once inside the theatre we bought a drink and made our way to our seats, which were front row to the right of the stage. Before the lights were extinguished, I looked around the theatre and spotted a few people I knew from the hospital. Pretty soon the theatre was full, the lights dimmed and the play began. (Now, I don't normally get goose bumps when watching stage shows, but seeing Steve Brown in his costume and beard (real) in the role of 'Tevye', a role that he had always dreamt of playing, I was filled with enormous pride for him.) Well, the next hour and forty minutes were enthralling! Steve played the character to a tee and his voice was perfect. The walk and demeanour that the Steve brought to the character were spot-on. Not once did it seem that Steve was imitating the greats. Somehow, he had managed to bring a little of himself to a very iconic role and truly made it his own. (Before you start thinking that I am just saying this to because Steve is my friend, you are WRONG. Steve knows me well enough, as do many others, that if I thought his performance was wanting, I would tell him.) Suffice it to say that that first act was one of the best I have ever seen on stage. 

Monday, December 06, 2010

Review: 'Company' by Stephen Sondheim and George Furth

Company programme
My copy of the programme signed by Mr Stephen Brown.

Sunday 5th December, 2010.

My friend, Steve Brown, has recently been rehearsing with a group called 'Second Company' for a play called 'Company' by Stephen Sondheim and George Furth, and I was going to see it with Emma and Len's Emma. 

Steve plays the role of Larry, a 50 something man, the third husband of Joanne, played by Joyce Lorinstein. This run is directed by Ray Rackham and, after sell out performances earlier in the year, has transferred to the 'Stage Space' at the 'Pleasance Theatre'. 

I have seen Steve Brown in 'A Clockwork Orange' and 'Judgement at Nuremberg', the latter of which was his directorial debut, and I have also seen him on TV for Channel 5's 'David Jason: The Show Must Go On!'


'Company' is a musical comedy, set in New York, that first premiered in 1970. The play is centred on the central character of Robert, a 35 year old single man, via his 3 girlfriends and his married or soon-to-be married friends. Robert has hit a point in his life where he cannot commit to a long-term relationship and looks to his friends for guidance. 

The 'Stage Space' is a small area with enough room to fit a maximum of 50 people, while the stage area itself is about twenty feet square. The use of the small stage space, was accomplished very well with the use of two clear plastic chairs and a leather bench. 

The cast, when not in the scene, sat at the sides until their turn in the play. It worked really well and at times I felt that I was actually in an apartment or on the bridge with the cast. It was an almost intimate feeling, as though they were playing just to me. 

I have to see say that I was really impressed with the show from the opening song, 'Company', to the last number, 'Being Alive'. The whole cast were superb with two stand-out performances from Robin Innes and Lowri-Ann Davies. Robin gave a sterling performance as Robert. While Lowri-Ann gave a truly remarkable performance as Amy. (Her very fast rendition of 'Getting Married Today' was incredible.) 

All-in-all it was well worth seeing and I can't wait until the next play that I go and see. Below is a link to a review of the show.



Until next time, May it be well with you.

Friday, October 29, 2010

Walking with family: A Halloween Stroll

London The Unfinished City
Looking North, from below the MillenniuM Footbridge.

Friday 29th October, 2010.

It was an early start for us, as we were going to London with my Mum. The plan was go with her to Queen Square for her appointment, then we would all go around London as a family.

So, we got up, had a coffee and got to my Mums for 9 O'clock. We then booked a taxi to take us to Croxley Station. Then Alysha called. She had evidently changed her mind and wanted to come with us to London.