Paddington Bear

Paddington Bear statue at Paddington station.

This statue of Paddington Bear, at Paddington station, is a bronze sculpture by Marcus Cornish. Considering Paddington Bear has been around since 1958 the statue wasn't erected until 2000.

The origins of London's most famous 'fictional' bear, Paddington, began in 1958, when Michael Bond wrote 'A Bear Called Paddington'. He had been shopping and seen a lone teddy bear, in a London shop, "looking forlorn", and based Paddington on him. It took Michael Bond just 10 days to write the first story.

Michael Bond remembered watching newsreels of children being evacuated, during World War II, who had labels around their necks, carrying bags containing their possessions, which gave him the inspiration for the style.

Paddington Bear plaque at Paddington station.

The first story, 'A Bear Called Paddington', sees the Brown family arriving at Paddington station and discovering the bear, sitting on his suitcase with a note attached to his coat that read , 'Please look after this bear. Thank you'. The Browns are unable to pronounce the bear's name in its bear language, so, they call him Paddington, as that is where they found him.

Originally, Paddington was to have "travelled from darkest Africa", but, as his agent pointed out, there are no bears in Africa, so he changed it to "darkest Peru", where the spectacled bear comes from. It is Paddington's Aunt Lucy who sends Paddington to London, as a stowaway, after his uncle Pastuzo has moved to a Home for Retired Bears, in Lima. Paddington tells them, "I came in a lifeboat and ate marmalade. Bears like marmalade."

32 Windsor Gardens, from 'Paddington' (2014).

So, the Brown family, that includes the parents, Henry and Mary, and their children, Jonathan and Judy, take Paddington home to 32 Windsor Gardens.

Paddington was always polite, addressing everyone with their title, but hardly ever using their first name. He also had a capacity to innocently get himself into trouble, while trying so hard to do things right.

However, those who incurred his disapproval would be met with one of his special 'hard stares'.

'Windrush & Commonwealth NHS Nurses and Midwives Statue' by Dr Jak Beula

At the entrance to the Whittington Hospital, on Magdala Avenue, there is a stylised mother and child statue.

It depicts a mother cradling her newborn baby, with the mother wearing a nurses' fob watch.

This unique statue was commissioned to commemorate the extraordinary efforts of the some 40,000 Windrush and Commonwealth NHS nurses and midwives, who came to the UK between 1948 and 1973 in order to help the newly created NHS.

The statue consists of 16 pieces of granite and is 2.1m in height, width and depth and cost £100,000.

It was unveiled on Friday September 10, 2021.

A worn brass plaque reads:

'The Windrush & Commonwealth NHS Nurses and Midwives Statue' was conceived and designed by Johnny Alexander Bebeula Dodd, aka Dr Jak Beula. 

He named the piece "NICU Suite 16" because of the 16 pieces of granite used to create the statue. 

It is dedicated to all Commonwealth National Health Service staff, notably Nurses and Midwives from Africa and the Caribbean, who have worked in the NHS since its foundation in 1948. 

The Nubian Jak Community Trust thanks Whittington Health NHS Trust and Islington Council for supporting this NHS Memorial. 

Special thanks to Islington BH365, Haringey Council, Ernst & young, Arsenal Football Club, Entain PLC, Havas Group, Aviva, Crowdfunder UK and the generous donations from nursing organisations and the general public for the successful delivery of this statue. May she be a source of inspiration to all NHS staff and provide light,  hope and pride to those who come into contact with this memorial.

'Sam' the Cat

London is full of statues of monarchs, politicians, generals, soldiers, horses, wild animals and lots more. The ones that I love discovering, though, are the smaller, lesser known ones... such as this one.

This statue depicts a cat poised to jump from a brick wall, possibly to land on an unsuspecting bird or mouse. Sam was a real cat and he was commissioned to recognise his owner, Patricia Penn. 

'Knight of Cnihtengild' by Denys Mitchell

If you were to walk along Devonshire Square, midway between Aldgate and Liverpool Street stations, you will discover this statue of a Knight on horseback.

It is a wonderful piece that, although looking out of place among the office buildings, harks back to a bygone era for the area.

It was commissioned by Standard Life Insurance Company, designed by Denys Mitchell and unveiled in 1990.

The statue

The knight, depicted in armour, sitting atop a neighing horse is made from beaten bronze, with blue glass lenses in the horse's carapace.

'John Betjeman' by Martin Jennings

To mark the opening of St Pancras International as the terminus for the High-Speed rail link, between London and Europe, a statue of Sir John Betjeman was unveiled.

John Betjeman had been an advocate of Victorian architecture and, in the 1960s, had campaigned to have St Pancras station, and the adjacent hotel, saved from demolition.

Sir John Betjeman CBE (1906-1984).

Born in London he lived in Gospel Oak until the family moved to Highgate, in 1909. T.S. Eliot was one of John's early tutors, at Highgate School. Following this he was sent to boarding school at Dragon School preparatory school, Oxford, and then Marlborough College, Wiltshire. He left Marlborough College in 1925.

His next education came when he entered Magdalen College at the University of Oxford, where one of his tutors was C.S. Lewis. Neither men seemed to get on, with C.S. Lewis stating that "Betjeman would not achieve honours in any class." Betjeman was expelled from Oxford, in 1928, after failing the Pass school and only achieving a satisfactory result in one of three required papers, Shakespeare and other English authors.

Between 1930-1935 Betjeman worked for the Architectural Review as an assistant editor.

'Wellington Monument' by Richard Westmacott

As you enter Hyde Park, from the southeast entrance, you are soon confronted by this incredible statue, which towers over onlookers. It is the Wellington Monument and shows Achilles, with sword and shield.

It is a memorial to Arthur Wellesley, 1st Duke of Wellington, and his victories in the Peninsular War and Napoleonic Wars.

The statue is cast from captured cannon from his victories at Salamanca, Toulouse, Waterloo and Vittoria, and stands at 18 feet (5.5 metres). It was designed by the sculptor Richard Westmacott. 

The statue, along with the Dartmoor granite base and the mound on which it stands, makes the entire monument 36 feet (11 metres) in height.

The statue cost £10,000 and was funded by donations from British women. 

When it made its way to Hyde Park it was found to be too big to go through the Hyde Park entrance gates, so a hole had to be knocked into the adjoining wall.

The inscription reads:

"To Arthur Duke of Wellington

and his brave companions in arms

this statue of Achilles

cast from cannon taken in the victories

of Salamanca, Vittoria, Toulouse, and Waterloo

is inscribed

by their country women

Placed on this spot

on the XVIII day of June MDCCCXXII

by command of

His Majesty George IIII."

'Physical Energy' by G.F. Watts OM RA

'Physical Energy' in Kensington Gardens.

Walking through Kensington Gardens you will discover this huge bronze equestrian statue, entitled 'Physical Energy'. It stands overlooking the northwest side of the Serpentine and was sculpted by George Frederic Watts OM RA.

Brief History

G.F. Watts had been working on 'Physical Energy' since the early 1880s, and thought of it has a culmination of his work in the field of public sculpture. 

He was asked to cast the bronze as early as 1886, but instead continued work on and modify the gesso model. Watts used equestrian elements of the Elgin Marbles in designing the model.

In 1902 the first full-size cast of the sculpture was made at a foundry in Fulham. It was said to be Britain's largest bronze cast, at the time. Watts gave it to the British government and it was exhibited at Burlington House, in 1904.

It was originally intended to be erected at the burial place of Cecil Rhodes, in Southern Rhodesia, but, due to the costs and logistics of such an undertaking, it was instead made part of the Rhodes Memorial, near Cape Town.

In 1905 a second cast of the sculpture was made at a foundry in Thames Ditton. This second cast was more refined and took 18 months to finish. In September 1907 the 6 ton cast was unveiled at Kensington Gardens.

Two more full-size sculptures were created, each differing slightly. 

The third bronze was displayed in front of the High Court building, Lusaka, Zambia. However, after a few moves, it was finally moved to its current position, outside the National Archives, Harare, in 1981.

The fourth full-size sculpture was cast in 2017, using a new mould from the original model. It was commissioned by the Watts Gallery to mark the 200th anniversary of Watts's birth. It was displayed in the courtyard of the Royal Academy, before being permanently installed at Watts Gallery Artists’ Village.

Smaller bronzes were aloso cast throughout the years and sold. Some can be seen in various art galleries, around the country. 

'Peter Pan' by Sir George Frampton

Walking through Kensington Gardens, near the Long Water, you will discover this bronze sculpture of Peter Pan.

J.M. Barrie lived nearby, on Bayswater Road, and said that Kensington Gardens inspired his stories and so commissioned a statue that was designed by Sir George Frampton, 

J.M. Barrie was said to be disappointed with the final sculpture, complaining that it "didn't show the Devil in Peter".

'Jacob' by Shirley Pace

Wandering on the south side of the River Thames, where many of the old buildings have been repurposed as dwellings and businesses, you still come across new developments.

While many of these newer buildings still fit in with the aesthetic of the area, some do not. The latter can not be said of 'The Circle', on Queen Elizabeth Street. These newer buildings have been designed so as to not appear out of place, while still offering something new.

However, what caught my eye, as I strolled along the street, was this bronze statue of a Dray horse, named 'Jacob', stood in the centre of the road on a plinth.

When 'The Circle' was being developed the architects and designers wished to pay homage to the history of the area, hence the statue. 

As stated on the affixed plaque, Dray horses, from the nearby Courage Brewery, were stabled here from the early nineteenth century.

It is a wonderful statue that has caught the power of these mighty animals, that trekked back and forth through London, delivering beer.

The inscription on the plaque states:

"Jacob

The Circle Dray Horse

The famous Courage dray horses were stabled

on this site from the early nineteenth

century and delivered beer around London

from the brewery on Horselydown Lane

by Tower Bridge.

In the sixteenth century the area became

known as Horselydown, which derives from

'Horse-lie-down', a description of working

horses resting before crossing London Bridge

into the City of London.

Jacob was commissioned by 

Jacobs Island Company and Farlane Properties

as the centrepiece of The Circle

to commemorate the history of the site.

He was flown over London by helicopter

into Queen Elizabeth Street to launch

The Circle in 1987."

As a little footnote, I am not entirely sure that this is the actual derivation of Horselydown.

'Dick Whittington's Cat' statue and the 'Whittington Stone'

On Highgate Hill there is a stone with a statue of a cat, protected behind an iron cage.

This is the Whittington Stone and Dick Whittington's Cat.

The Whittington Stone

The Whittington Stone is a large two-segment Portland Stone tablet, erected in 1821, and marks, roughly, where Dick Whittington supposedly turned at the sound of the bells of St Mary-le-Bow.

The stone was restored in 1935.

The Cat statue was added in 1964 and was designed by Jonathan Kenworthy and is made of Kellymount limestone. It was originally polished-black.

On its two faces are inscriptions of the life of Dick Whittington. The inscription on one side has been completely eroded, but some of the inscription can still be read on the other face.

Dick Whittington and His Cat

Dick Whittington and His Cat is an English folklore telling the rise of poverty-stricken Dick Whittington, who sold his cat to a rat infested country, to attain a fortune.

Another story tells of his heading home to Highgate Hill, but stopping when he heard the sound of Bow Bells, some 4.5 miles away, promising him that he would be mayor of London, one day.

'Athena' by Nasser Azam

I spotted this large bronze statue, in the centre of a roundabout, outside London City Airport and was immediately struck by its size. Unfortunately, as it was a cloudy day, I couldn't get a photo with the sun lighting up the silver coating that covers this giant bronze statue.

Standing at 12 metres (39 feet), it has to be one of the tallest bronze statues that I have ever seen. In fact, it is the tallest bronze statue in the United Kingdom.

Newham Council's Strategic Development Committee were the ones who commissioned the statue, stating:

“London Athena will face east towards the airport and its approach road with her head looking up at the sky and her arms outstretched about her as if greeting or waving to aircraft in and out of the airport.”

Nasser Azam, who designed 'The Dance' on the South Bank, was commissioned to design the figure and it was unveiled in 2012. 

Athena is the Greek Goddess of war, handicraft and practical reason.

London City Airport objected to the statue, who had requested to use the roundabout for signage and advertising related to the airport. They lost their objection, which I am glad about as this statue is definitely an improvement for the area.

Nasser Azam, who was originally from Newham, had the bronze cast at his foundry, Zahra Modern Art Foundries, which he had purchased in 2010. This foundry, originally called the Morris Singer Art Foundry, was the one that cast the Trafalgar Square Lions.

Because of the finish, applied to the statue, many people forget that it is made of bronze.

A small disc states:

"Athena

by

Nasser Azam

bronze

2012

with the support of

Elan Corporation, plc"

'Sunshine Weekly and The Pilgrim's Pocket' by Peter McLean

Walking along the Thames Path, through Rotherhithe, you will discover Cumberland Wharf. It is a small park with circular seating areas and plenty of trees. Below is Rotherhithe Beach.

In the northwest corner is a statue, erected in 1991, of a boy dressed in 1930s attire, his dog and a pilgrim father. Which makes sense, as it is close to this spot that the Mayflower set sail for Southampton, on September 16, 1620, before heading to the New World.

The statue depicts the ghost of a Pilgrim Father, William Bradford, then Governor of the New Plymouth Colony, looking in horror over the boy's shoulder at what has happened within the New World, since his death. 

The comic, called 'Uncle Pete and Kev's Sunshine Weakly' (I think this should have read 'weekly') depicts things like automobiles, aeroplanes, an eagle, cowboys, the Empire State Building, rockets, the Statue of Liberty and much more Americana. This comic did exist, from 1936-1940.

On the back of the comic are depictions of the Mayflower and the Pilgrim Fathers.

The dog, a Staffordshire bull terrier, stood on its hind legs, appears to be trying to look at the comic, too.

In the ghost's pocket are an A-Z dated 1620, a crucifix, a lobster claw, a Native American totem pole and more. But, no bible.

Walking with family: Day 1 - Archway to Kenwood House... and beyond

Wednesday August 14, 2024.

As we had some time away from work and the girls were away from school for the holidays, we decided to spend some time visiting some sites in London.

We booked a taxi and headed to Watford Junction, where we caught an Avanti West Coast to Euston and, from there, a Northern line train to Archway.

After topping up on a few snacks fro the day we caught a 210 bus to Compton Avenue, where we alighted and walked the short distance to Kenwood House.

Kenwood House is a former stately home, which was originally built circa 1616. It was remodelled by the architect Robert Adam in the 18th century and was home to the Earls of Mansfield until the 20th century.

Besides being a stately home, Kenwood House is home to historic paintings by the likes of John Crome, Anthony van Dyck, Claude de Jongh, JMW Turner, Thomas Gainsborough, Rembrandt and many more.

During our visit there was an exhibition by Stephen Farthing entitled 'Strike a Pose: Stephen Farthing and the Swagger Portrait'. These are portraits of Lord Howe, reimagined by Stephen Farthing, and were pretty spectacular.

You can see more photos from Kenwood House by clicking the link below.

Gallery

After visiting the house we sat in the grounds and ate our lunch, before we took a stroll through the grounds, eventually finding ourselves heading south through Hampstead Heath. 

The weather was perfect for a wander through the Heath, with many people jogging, walking dogs, having a picnic or, like this, just taking in the surroundings.

'Girl with a Dolphin' by David Wynne

On the north bank of the River Thames, just east of Tower Bridge, there is a wonderful fountain of a girl swimming with a dolphin.

It is a stunning sculpture that has stood on this spot since 1973 and is passed by millions of visitors, each year. Because of its location, beside Tower Bridge, it offers some great photo opportunities.

This bronze sculpture is the work of David Wynne, who, throughout his career, focussed much of his work on animals. His most famous piece is 'Guy the Gorilla' in Crystal Palace Park.

David Wynne studied zoology at Cambridge University, but this just led him to become a sculptor.

In order to get this statue correct, David swam with a dolphin for hours, feeling that this more practical approach would make the sculpture more realistic.

His approach worked, as this bronze sculpture seems to have caught a moment in time. The young girl, with her hair trailing behind her, is swimming down, while the dolphin rises to meet her,

Because this is a bronze sculpture, David Wynne had to use double cantilevers to ensure that the weight of the bronze could be held, thereby ensuring 'Girl with a dolphin' would continue to swim, for years to come.

'Girl with a dolphin' has a twin. On Cheyne way, Chelsea, there is a similar statue named 'Boy with a dolphin'. It depicts a boy, modelled on David's son, Roly, holding on to the dolphin's fin as they swim through the water. 

This sculpture was unveiled in 1974..

Tragically, Roly took his own life in 1999, so his father dedicated the statue to Roly.

David Wynne died in 2014.

More Than Just a Statue to a Great Man

Greathead's tunnelling shield in action.

Across the road from the Bank of England, on Cornhill, there is a statue of a man, atop a tall plinth, which allows him to gaze down on to the street below. The man is wearing a fedora and appears to be holding some sort of map, giving him a kind of 'Indiana Jones' appearance. The man is James Henry Greathead, who was born in South African in 1844. 

So what is it about him that demands a statue on such a large plinth in this area of the City of London? 

Well. James Henry Greathead moved to England in 1859, where he studied under the civil engineer Peter W. Barlow. This was a great era for tunnel diggers, what with Marc Brunel and his son, Isambard, having tunnelled beneath the River Thames and created the first tunnel beneath a navigable waterway, in 1843.

Brunel had designed and patented an 'Iron Shield', for his tunnelling, which Greathead, along with Barlow, greatly improved upon. Their project would be London's second tunnel beneath the River Thames and was called, unsurprisingly, the Tower Subway, as it would carry 12 passengers along a narrow-gauge railway from Tower Hill to Tooley Street.

The tunnelling shield was an immediate success, considering that the majority of London's underground lines had been built with the 'cut-and-cover' method, up to this point.

Leicester Square

Empire, Leicester Square.

Leicester Square has been a busy hub for tourists and those visiting the area to watch films and shows for many years. The square is used for exhibitions and events throughout the year and is always bustling with a palpable energy.

William Shakespeare fountain.

With the Empire Leicester Square and the Odeon Leicester Square, on two sides which are used for film premieres, and more restaurants than you can count and pubs on the other, it is a magnet for anyone heading to the West End. 

Lumiere Festival, 2016.

To the north is Chinatown, the east Covent Garden, south lies Trafalgar Square and Piccadilly Circus is to the west, making Leicester Square a true hub in the West End.

Enough said.

It is possibly because of how busy the area gets that I prefer walking around other areas of London.

m&m's World.

However, every once in a while, I do head here, especially if there is something worth seeing.

Transformers: Rise of the Beasts.

Over the years I have seen many changes to the square and its surroundings. Statues have come and gone. Fountains and water features have been rebuilt and installed. Paving and seating has been improved. Theatres, cinemas, shops and restaurants have come and gone, too.

Celebrity handprints, 2010.

But the atmosphere has always remained.

'National Windrush Monument' by Basil Watson

The National Windrush Monument.

Anyone travelling through Waterloo station, since late June of this year, will almost definitely have seen the 3.5 metre (11.5 feet) tall bronze National Windrush Monument. 

The Monument depicts a family (father, mother, daughter) dressed in their 'Sunday Best', while standing atop seven suitcases, which contain all of their worldly belongings from their Caribbean home. 

The monument is dedicated to all those who emigrated from the Caribbean to Britain between the arrival of the ship HMT Empire Windrush on 22 June 1948 and the Immigration Act 1971.

Trafalgar Square: Fourth Plinth

Nelson's Ship in a Bottle.

Ever since Trafalgar Square was opened, in 1844, one of its plinths, situated in the northwest of the square, has remained empty. The other three plinths have statues of King George IV, General Sir Charles James Napier and Major-General Sir Henry Havelock.

It was supposed to have a statue of King William IV affixed, but a lack of funds left the plinth unadorned.

In 1998, the Royal Society for the encouragement of Arts, Manufactures and Commerce commissioned three contemporary sculptures to be temporarily displayed on the plinth. 

Shortly afterwards the Secretary of State for Culture, Media and Sport, commissioned a report to seek public opinion on what should happen with the fourth plinth.

The report recommended a rolling programme of temporary artworks rather than a permanent figure. 

Ownership of Trafalgar Square was transferred from Westminster City Council to the Mayor of London, in 2003, which marked the beginning of the Mayor of London's Fourth Plinth Commission.

Parliament Square: Statues

Parliament Square is a historic and symbolic garden area to the west of the Palace of Westminster.

I have walked around it on many occasions and have looked at the various statues, that peer down onto the tourists and passersby, but never really grasped the full range of people immortalised in the square.

Below are the statues, currently, spaced around the square.

George Canning (Foreign Secretary 1807–1809 and 1822–1827; Prime Minister 1827) 
by Sir Richard Westmacott.

Edward Smith-Stanley, 14th Earl of Derby (Prime Minister 1852, 1858–1859 and 1866–1868) 

by Matthew Noble.

Henry John Temple, 3rd Viscount Palmerston (Prime Minister 1855–1858 and 1859–1865) 
by Thomas Woolner.

Bomber Command Memorial

"... who now stood thankful, in the early morning sun."

The Bomber Command Memorial, Green Park, is, by far, my favourite memorial, in the Unfinished City. There are countless others that I have visited, but there is something utterly unique about this memorial.

I don't know if it is the sheer scale of the memorial, or the detailing of the statues, or its setting at the corner of Green Park, that makes this my favourite, but there is something that keeps drawing me back to it, again and again.

In fact, I was so moved when I first saw it, that I ended up writing a poem the following day, entitled 'Morning Sun'.