'Sculptures' by Andrew Baldwin, Trinity Buoy Wharf

Andrew Baldwin's 'Cab Tree' above the Orchard Cafe.

Trinity Buoy Wharf is full of things to discover. From its historic buildings and vessels, to exhibitions and sculptures.

Many of these sculptures, dotted around the site, are free to visit and were created by Andrew Baldwin. They are an eclectic mix.

'Aqua Gill' by Andrew Baldwin.

A master blacksmith and welder, for 28 years, Andrew Baldwin always had an interest in Victorian engineering. This, coupled with his skill at metalworking and his wild imagination, is what has helped him create some seriously outlandish sculptures.

Quirky, eerie, scary and wonderful in equal measure, these mechanical sculptures are fascinating to behold.

Trinity Buoy Wharf Chain Store and Lighthouse.

Then there are the non-mechanical sculptures, such as a metal lighthouse and this profile of Trinity Buoy Lighthouse and Chain Store.

Andrew Baldwin's work is constantly changing and evolving, but there is always a varied selection of his work on display, all over the Trinity Buoy Wharf site. 

A Robin visits Andrew Baldwin's 'Man' sculpture.

'My World and Your World' by Eva Rothschild

In Lewis Cubitt Park, King's Cross, you will discover this intriguing piece of public art.

At first I thought it was something that children could climb, with its bright colours and angled poles. But, on closer inspection, I realised that it was near impossible to climb. So, what is it?

It is actually a public sculpture, designed by Eva Rothschild.

Entitled 'My World and Your World' is Eva Rothschild's first permanent commission in London.

Standing 16 m (52 ft) tall and crafted from steel. The bold colours of black, green, orange, pink, purple and red break up its shape, which is inspired by the natural world. It resembles the branches of a tree, but it also could be a lightning strike or the tributary of a river.

Eva describes the piece as a 'social sculpture', enticing people to explore the park, in which it stands.

'Gorilla' by David Wynne

In Crystal Palace Park, beside the Lower Lake, stands a wonderful statue of a Gorilla, by David Wynne. The gorilla is shown on all fours as a way to convey the powerful majesty of the animal.

In 1959, London County Council, through its Patronage of the Arts scheme, commissioned David Wynne to create a large animal sculpture, to go with the spirit of the dinosaur and extinct species statues already in the park

Having studied zoology at the University of Cambridge, David Wynne chose 'Guy the Gorilla' as his subject. 

The sculpture was completed, in 1961, and unveiled near the Children's Zoo in 1962. The statue is still in place, even though the Children's Zoo closed in 1990.

'Alunatime' by Laura Williams

'Alunatime', by Laura Williams, was launched on the Full Moon of October 22, 2010, and is the first, live 'real time' graphical notation of light and time.

It shows the lunar phases (wax and wane), the lunar day (rise and set) and tide cycles (ebb and flow). Governed by the relative position of the Earth, Moon and Sun, these fundamental rhythms have shaped our past and will continue to determine our future.

The Moon creates our tides and, with 70% of the Earth's surface covered in water, understanding the rising tides brought on by climate change, is becoming more important than ever.

'Whale on the Wharf (Skyscraper)' by Jason Klimoski and Lesley Chang

Canary Wharf is home to over 100 pieces of public art, spread across the site from Westferry, in the west, to Wood Wharf in the east. 

Some of these works were purchased, while others were commissioned or are on loan to the Canary Wharf Group.

The latest piece to join this collection is 'Whale on the Wharf (Skyscraper)'. It was designed by Jason Klominski and Lesley Chang, from the architecture and design firm StudioKCA, with the aid of the Hawaii Wildlife Fund.

Standing at 11m (36ft), or four storeys tall, and weighing 5 tonnes, this permanent artwork shows the whale breaking the surface of the water, arching its back as if it is going to crash down on the footpath beside Wood Wharf.

The piece is made from plastic, washed up on Hawaiian beaches, in an effort to highlight the problem of plastic in our seas and oceans. The sculpture is not just made from recycled plastic, but sustainable elements, too. Its base is unique, being a first-of-its-kind low-carbon concrete underwater base, made from coffee grounds from local bars and cafes.

The Canary Wharf Group has, since 2009, sent zero waste to landfill from its managed areas. This sculpture has been placed to show their commitment to reducing waste. Even the installation process, of the sculpture, was carefully considered to minimise its carbon footprint.

To see more photographs of some of the public art on display, across Canary Wharf,

click on the link below.

Gallery

Canary Wharf Art Map: Download

'Time and Tide Bell' by Marcus Vergette

Attached to the sea wall of Trinity Buoy Wharf is this bell, designed by the sculptor Marcus Vergette.

The unique design of the bell, developed by Marcus Vergette and Dr Neil McLachlan, means the bell is rung by the river to mark each high tide. Uniquely, from just one strike the bell sounds different notes one after the other to form a melody.

"Fixed in space, rung by the power of nature, yet making ever-changing sounds, the bell symbolises the complex relationship between man and his environment. The Time and Tide Bell creates, celebrates and reinforces connections between our history and our environment. Here at Trinity Buoy Wharf Leamouth, it will serve as a powerful marker of sea level rise at the very heart of our maritime history." 

- Marcus Vergette

The Trinity Buoy Wharf Bell was launched at high tide on September 19, 2010.

Part of the 'Time and Tide Series', this 3 metre tall bell, cast in aluminium bronze, is third in a planned series of twelve bells, located throughout the United Kingdom. 

The first bell was installed at Appledore, North Devon, while the second was installed at Great Bernera, Outer Hebrides.

'The Wild Table of Love' by Gillie and Marc

At the corner of Eastbourne Terrace and Praed Street, Paddington, there is a rather large sculpture of various endangered animals, sitting and having a banquet together.

The animals, being hosted by Rabbitwoman and Dogman, are a koala, Bengal tiger, African elephant, Masai giraffe, a hippo, a lion, Northern white rhino, mountain gorilla, Grevy's zebra and a chimpanzee.

Two seats allow visitors to join the banquet, as this is an interactive sculpture where interaction is key.

'Skystation' by Peter Newman

Wandering, as I do, I discovered this spaceship-like metal sculpture, near Nine Elms. 

Affixed to its side is a small plaque that reads:

SKYSTATION

51°28'57"N

PETER NEWMAN

0°08'11"W

2015

Besides this there is no explanation as to what this sculpture represents, or is for. 

'Sam' the Cat

London is full of statues of monarchs, politicians, generals, soldiers, horses, wild animals and lots more. The ones that I love discovering, though, are the smaller, lesser known ones... such as this one.

This statue depicts a cat poised to jump from a brick wall, possibly to land on an unsuspecting bird or mouse. Sam was a real cat and he was commissioned to recognise his owner, Patricia Penn. 

'Physical Energy' by G.F. Watts OM RA

'Physical Energy' in Kensington Gardens.

Walking through Kensington Gardens you will discover this huge bronze equestrian statue, entitled 'Physical Energy'. It stands overlooking the northwest side of the Serpentine and was sculpted by George Frederic Watts OM RA.

Brief History

G.F. Watts had been working on 'Physical Energy' since the early 1880s, and thought of it has a culmination of his work in the field of public sculpture. 

He was asked to cast the bronze as early as 1886, but instead continued work on and modify the gesso model. Watts used equestrian elements of the Elgin Marbles in designing the model.

In 1902 the first full-size cast of the sculpture was made at a foundry in Fulham. It was said to be Britain's largest bronze cast, at the time. Watts gave it to the British government and it was exhibited at Burlington House, in 1904.

It was originally intended to be erected at the burial place of Cecil Rhodes, in Southern Rhodesia, but, due to the costs and logistics of such an undertaking, it was instead made part of the Rhodes Memorial, near Cape Town.

In 1905 a second cast of the sculpture was made at a foundry in Thames Ditton. This second cast was more refined and took 18 months to finish. In September 1907 the 6 ton cast was unveiled at Kensington Gardens.

Two more full-size sculptures were created, each differing slightly. 

The third bronze was displayed in front of the High Court building, Lusaka, Zambia. However, after a few moves, it was finally moved to its current position, outside the National Archives, Harare, in 1981.

The fourth full-size sculpture was cast in 2017, using a new mould from the original model. It was commissioned by the Watts Gallery to mark the 200th anniversary of Watts's birth. It was displayed in the courtyard of the Royal Academy, before being permanently installed at Watts Gallery Artists’ Village.

Smaller bronzes were aloso cast throughout the years and sold. Some can be seen in various art galleries, around the country. 

'Dick Whittington's Cat' statue and the 'Whittington Stone'

On Highgate Hill there is a stone with a statue of a cat, protected behind an iron cage.

This is the Whittington Stone and Dick Whittington's Cat.

The Whittington Stone

The Whittington Stone is a large two-segment Portland Stone tablet, erected in 1821, and marks, roughly, where Dick Whittington supposedly turned at the sound of the bells of St Mary-le-Bow.

The stone was restored in 1935.

The Cat statue was added in 1964 and was designed by Jonathan Kenworthy and is made of Kellymount limestone. It was originally polished-black.

On its two faces are inscriptions of the life of Dick Whittington. The inscription on one side has been completely eroded, but some of the inscription can still be read on the other face.

Dick Whittington and His Cat

Dick Whittington and His Cat is an English folklore telling the rise of poverty-stricken Dick Whittington, who sold his cat to a rat infested country, to attain a fortune.

Another story tells of his heading home to Highgate Hill, but stopping when he heard the sound of Bow Bells, some 4.5 miles away, promising him that he would be mayor of London, one day.

'Demon with Bowl' by Damien Hirst

'Demon with Bowl' by Damien Hirst.

Walking around the Greenwich Peninsula you will discover that the area is full of Public Art. Whether it be a small sculpture, interactive installations, a slice of a ship or a signpost, there is a lot to discover. 

Many of these are created by internationally renowned artists, that include Anthony Gormley, Alex Chinneck, and Damien Hirst.

Keilyn with the 'Demon with Bowl' sculpture.

It is the latter that has installed an 18 metre (60 foot) sculpture on the peninsula, outside the Greenwich Peninsula terminal of the London Cable Car.

'Modern Marriage' by Simon Fujiwara

'Modern Marriage' by Simon Fujiwara (2015).

Wandering around the Nine Elms Regeneration Zone, Embassy Gardens, surrounding the Embassy of the United States of America, you will notice some pieces of public art on display.

These works of art are on display along a Linear Park, which, when completed, will be a green walking route linking Battersea Power Station to Vauxhall.

One of the pieces that I find most interesting is 'Modern Marriage' by Simon Fujiwara.

This sculpture of a dismembered left foot, lying on its side, looks, at first glance, to be just a sculpture of a foot. However, on the sole of the foot there is a gold wedding ring embedded in the skin.

 

A wedding ring embedded in the sole of the foot.

It is an intriguing piece, that I find endlessly fascinating.

'Here' by Thomson & Craighead

'Here' by Jon Thomson & Alison Craighead.

One of the pieces of public art, along the Olympian Way, that I nearly didn't notice was this custom signpost. 

Signposts are commonplace, no matter where you go, so at first I paid this one no mind. It wasn't until I saw a blue information post closeby, that I realised what the signpost was.

'A Slice of Reality' by Richard Wilson

View looking east.

Northwest of the O2 Arena, along Olympian Way, there is a vertical slice of a ship, stood next to the bank. It is a strange sight to behold, looking like the remnants of some ocean disaster, but it is not.

The clean lines where the ship has been cut allow you to see the inner decks, gangways and the inner hull.

As it turns out, this is no accident, but rather a sculpture by Richard Wilson.

'Liberty Grip' by Gary Hume

'Liberty Grip' by Gary Hume.

Continuing my blogs about the various pieces of public art to be found along the Olympian Way, around the Greenwich Peninsula, I give you what I consider to be the strangest... 'Liberty Grip' by Gary Hume.

Battle of Britain Monument

"Scramble!"

Walking along the Victoria Embankment, near Whitehall, you will discover the Battle of Britain Monument, which stretches along the pavement.

This granite and bronze monument was built so that visitors can interact with it. This impressive monument has scenes from different aspects of the Battle of Britain. From Airmen 'scrambling' to women working in munitions factories to the ground crews who kept the aeroplanes serviced... and more.

"Never in the field of human conflict was so much owed by so many to so few."

I can happily look at this monument for hours, and still find something that I have never noticed before.

South Bank Lion

Shining white against a black night.

Crossing Westminster Bridge, heading south, you will be met with a sculpture of a White Lion, standing on a plinth beside County Hall. 

The lion has been there since 1966, although, as it turns out, it is much older than it appears. 

An inscription on one of the lion's paws reads... 'WFW Coade 24 May 1837'.

William Frederick Woodington was a sculptor at the Royal Academy's School of Sculpture and used Coade Stone, a ceramic material, to sculpt the lion in 1837.

A wonderful profile of the lion.

The lion sculpture once adorned the top of the Lion Brewery, which stood roughly where the Royal Festival Hall now stands today.

'Elfin Oak' by Ivor Innes

When wandering around London, especially with my girls, we sometimes have a plan of where we are going. At other times we just arrive in London. Alight from the train. And then just follow our feet.

Visiting the Elfin Oak was one of those planned days out, where we took in the Diana Memorial Playground, Kensington Gardens and the Italian Gardens, before heading through Hyde Park to Green Park.

After an exploratory of the Diana Memorial Playground both Erin and Keilyn were fascinated, as was I, with a fenced off stump of oak covered with elves, fairies, gnomes and animals.

There were gnomes stealing eggs, a witch and a banquet hall among many other carvings. 

The girls were so captivated with the peace that Emma and I managed to finish our coffees, which were piping hot, long before we had finished looking at art in front of us.

'Silver Jubilee Crystal Crown' by Arthur Fleischmann

"Its origin and purpose still a total mystery."

Wednesday October 28, 2020.

I have long been an enthusiast of science fiction films and books, with Stanley Kubrick's 2001: A Space Odyssey being among my favourites. 

I had heard that the original concept for the 'monolith' called for it to be transparent, which would allow for visual effects to be layered onto it. 

However, when Kubrick saw the finished piece he decided against using it, opting to go with the now famous black basalt 'monolith'. 

'Monolith' plaque.

After a little online searching I found that the original acrylic 'monolith' was on display, in London, so I set about discovering it. I found it, too, affixed to a wall in St Katharine Docks.