Meath Memorial, Christ Church & the Memorial Cross, Lancaster Gate

Lancaster Gate

The square at Lancaster Gate is the focal point of a large residential estate, laid out in the late 1860s by the speculative developer Henry de Bruno Austin. The estate reputedly take sits name from the nearby north gate into Hyde Park, which honours Queen Victoria, the Duchess of Lancaster.

The square was refurbished by Westminster City Council in 2002 and creates a new setting for the restored Memorial Cross.

Bayswater Road follows the route of a Roman Road 'Via Trinobantia'. The area was predominantly farmland until the 19th century.

The botanist and playwright John Hill had his physic garden here until 1775. In 1795, the locality flourished as the Bayswater Tea Gardens, famous for its springs and salubrious air. Later, the name was changed to the Flora Tea Gardens and then Victoria Tea Gardens which finally closed in 1854 for comprehensive development.

Lancaster Gate is a fine example of a mid-Victorian London development. The layout and scale of its long imposing terraces represent Bayswater's most ambitious architectural achievement.

The Grade II listed stuccoed terraces are richly ornamented with classical porticoes, colonnaded balconies and console cornicing.. The terraces south of Lancaster Gate are the work of architect Sancton Wood. Those to the north, adjacent to the former Christ Church, are the work of architect John Johnson.

Meath Memorial

The monument at the junction with Bayswater Road is the Meath Memorial.

The memorial was designed by Hermon Cawthra RA and commemorates Reginald Brabazon, 12th Earl of Meath (1841-1929). It was unveiled in 1934. The Earl of Meath was actively engaged in social and philanthropic work. He was the first chairman of the Young Men's Friendly Society, first President of the British College of Physical Education, and founder and first President of the Lad's Drill Association.

Lord Meath was also the first chairman of both the London County Council Parks Committee and the Metropolitan Public Gardens Association.

Steps in the memorial lead to a tall pedestal with a portrait medallion together with a domed top surmounted by the figure of a seated boy.

The monument is Grade II listed.

Paddington Bear

Paddington Bear statue at Paddington station.

This statue of Paddington Bear, at Paddington station, is a bronze sculpture by Marcus Cornish. Considering Paddington Bear has been around since 1958 the statue wasn't erected until 2000.

The origins of London's most famous 'fictional' bear, Paddington, began in 1958, when Michael Bond wrote 'A Bear Called Paddington'. He had been shopping and seen a lone teddy bear, in a London shop, "looking forlorn", and based Paddington on him. It took Michael Bond just 10 days to write the first story.

Michael Bond remembered watching newsreels of children being evacuated, during World War II, who had labels around their necks, carrying bags containing their possessions, which gave him the inspiration for the style.

Paddington Bear plaque at Paddington station.

The first story, 'A Bear Called Paddington', sees the Brown family arriving at Paddington station and discovering the bear, sitting on his suitcase with a note attached to his coat that read , 'Please look after this bear. Thank you'. The Browns are unable to pronounce the bear's name in its bear language, so, they call him Paddington, as that is where they found him.

Originally, Paddington was to have "travelled from darkest Africa", but, as his agent pointed out, there are no bears in Africa, so he changed it to "darkest Peru", where the spectacled bear comes from. It is Paddington's Aunt Lucy who sends Paddington to London, as a stowaway, after his uncle Pastuzo has moved to a Home for Retired Bears, in Lima. Paddington tells them, "I came in a lifeboat and ate marmalade. Bears like marmalade."

32 Windsor Gardens, from 'Paddington' (2014).

So, the Brown family, that includes the parents, Henry and Mary, and their children, Jonathan and Judy, take Paddington home to 32 Windsor Gardens.

Paddington was always polite, addressing everyone with their title, but hardly ever using their first name. He also had a capacity to innocently get himself into trouble, while trying so hard to do things right.

However, those who incurred his disapproval would be met with one of his special 'hard stares'.

'The Wild Table of Love' by Gillie and Marc

At the corner of Eastbourne Terrace and Praed Street, Paddington, there is a rather large sculpture of various endangered animals, sitting and having a banquet together.

The animals, being hosted by Rabbitwoman and Dogman, are a koala, Bengal tiger, African elephant, Masai giraffe, a hippo, a lion, Northern white rhino, mountain gorilla, Grevy's zebra and a chimpanzee.

Two seats allow visitors to join the banquet, as this is an interactive sculpture where interaction is key.

Walking with Keilyn: Baker Street to Paddington... and beyond

Saturday January 4, 2025.

Today 'Keilyn and I were to be joined by a couple of friends, for our first walk through London of 2025. However, various events conspired against us, resulting in Keilyn and myself making the trip alone.

So, off we set, walking to Watford Metropolitan station as a short flurry of snow began to fall. We took the train to Baker Street, where, after purchasing warm drinks, we exited the station and headed north along Baker Street and on to Park Road, where we dropped down onto the Regent's Canal Towpath.

Having walked to Camden and King's Cross too many times we decided to walk in the opposite direction, heading towards Little Venice and from there Paddington.

The snow had by now stopped and the towpath was quiet, with us only seeing a few other walkers along the canal. We reached Lisson Moorings, where we admired the narrow boats and barges, before we reached the Maida Hill Tunnel, where we climbed the slippery metal steps to Aberdeen Place. 

We walked along Maida Avenue, rejoining the towpath at Warwick Bridge, and Little Venice. Surprisingly all of the cafes and kiosks were closed, so we continued beneath Westway towards Paddington Basin. 

A blue 'velvet' covered Paddington Bear statue provided a photo opportunity, before we reached Praed Street, where we stopped for some lunch at a KFC.

Suitably filled we headed inside Paddington Station in search of the Paddington Bear statue, which we soon found by looking out for the crowds. We waited patiently for the other children to have their photos taken before it was Keilyn's turn. 

We then headed further along the platform to Paddington's Bench, where another photo was taken. 

We then headed out of the station and headed along Praed Street to The Wild Table of Love, where Keilyn joined Dogman and Rabbitwoman with their guests of ten of the most endangered animals in the world. Just across Eastbourne Terrace, Maarten Baas' 'Man in a Clock' was busy painting hands inside the clock face.

Heading south down Westbourne Terrace we entered Kensington Gardens and the amazing Italian Gardens. Again, there were not too many people around so we made our way along the path, beside The Long Water, to the 'Peter Pan' statue.

From here we headed west towards the 'Physical Energy' statue and, from there, on to the Round Pond. It was here that we discovered the crowds who were eagerly waiting to enter Kensington Palace, so we continued along Studio Walk and turned down Palace Green towards Kensington High Street.

'Real Time' (Man in a Clock) by Maarten Baas

The man trapped in a clock, Paddington.

At the corner of Eastbourne Terrace and Craven Road, in Paddington, on the front of the EFL building, you will find a clock.

Now, clocks are everywhere, so why is this one so special? Well, this one has a man trapped inside it.

Yep. As you peer up at this clock, a man appears and cleans the clock face, from inside, rubs out the hands and then repaints them... every minute.

It is part of an art installation entitled 'Real Time', by Dutch artist Maarten Baas.

The first 'Real Time' piece, entitled 'Sweeper's Clock', was produced in April 2009 and consisted of a video of road sweepers moving rubbish around to create analogue clock hands.

Maarten Baas followed this up with a person painting a digital clock from behind a translucent screen and then a man painting analogue hands on a grandfather clock, from behind a screen.

Walking with Keilyn: Marylebone to Kensington Gardens... and beyond

A small piece of Japan in London.

Wednesday May 29, 2024.

Another half-term for the girls and another walk for Keilyn and myself.

Normal beginning with a taxi to Watford underground station, from where we caught a train to Harrow-on-the-Hill, where we switched to the Chiltern Flyer to Marylebone. Various signal and points issues had disrupted the Metropolitan, Circle and District lines, so this was our backup route.

Harrow-on-the-Hill underground station.

Arriving at Marylebone station we left the station and walked along Daventry Street towards Edgware Road, where we turned on to Edgware Road, before turning right and headed down Praed Street.

'Real Time' by Maarten Baas.

Our first stop was at the corner of Eastbourne Terrace, where we stopped to watch the 'Man in a Clock', which is an installation by Maarten Baas, a Dutch artist. The work is called 'Real Time' and has a man perpetually cleaning the clock face and wiping off the clock hands and then repainting them, every minute. It is fun to stare at.

Leinster Gardens facade.

Continuing down Craven Hill our next stop was Leinster Gardens, where I convinced Keilyn to knock on the giant black doors. Her face when she discovered that they were not real was priceless, as she exclaimed, "It's fake!"

Behind the Leinster Gardens facade.

We stopped for a coffee and a hot chocolate at The Central Pantry, before heading to Porchester Terrace, so that I could show Keilyn the rear of the false buildings.

The Round Pond.

From here we headed down Porchester Terrace and, after crossing Bayswater Road, entered Kensington Gardens. A slow walk along the tree-lined path brought us to the Round Pond, where coots, ducks, geese, moorhens and swans made a raucous sound, as visitors got too close to their young.

Keilyn at Kensington Palace.

We headed towards the Queen Victoria Statue and entered the grounds of Kensington Palace, taking photos of the palace, its gates and the statue of William III of Orange. Following Studio Walk we found ourselves on Palace Green with its various embassies and armed police protection.

The beautiful Barkers building, Kensington High Street.

We left here and joined Kensington High Street and searched out a shop to replenish our water supply and grad some more snacks. Suitably stocked we continued along the high street, passing the impressive Barkers building and Japan House, before we found ourselves on Melbury Road.

It was along this road that we to see two more things of interest. 

The gnomes have a bar.

The first was a Gnome Garden, which, as its name suggests, is a Gnome Garden... pure and simple. However, the effort and time put into this small front garden was impressive and Keilyn and I kept spotting different things on each inspection.

Regent's Canal

The Broad Walk Bridge.

Regent's Canal is one of my favourite walks to take, in London. 

Stretching for 8.6 miles (13.8 km) from Little Venice to Limehouse Basin and the River Thames, Regent's Canal is a beautiful walking route that meanders through green spaces, industrial, residential and newly regenerated areas.

Having walked the towpath on numerous occasions, over the years, I have seen some changes to the surrounding vistas, especially around the Camden and King's Cross area.

London Zoo stop.

But, there is still a lot of history that has been kept; From bridges to tunnels to floating restaurants, there is always something new to discover.

Feng Shang Princess, Chinese Restaurant.

The towpaths, themselves, are fairly well maintained, for the most part, and wide enough to allow for the countless joggers, dog walkers and cyclists that use this route on a daily basis.