London's Postboxes

A replica 'Penfold' type postbox, beside Tower Bridge.

Normally overlooked because of how common they are on the streets of the United Kingdom, the humble postbox can tell you a lot about an area. Each postbox also has a Royal cypher, which helps denote its age. Although, occasionally, postboxes are created without a cypher. These are called 'anonymous' postboxes.

So, let us look at the evolution of the British Postbox.

Like so many other iconic things the Postbox was created in the Victorian era, with the first postbox being installed on Guernsey, in the Channel Islands, in 1852.

In 1853, the first postbox, on the mainland, was installed in Carlisle.

London's first postboxes were installed in 1855.

During the 19th century there was no standard to postboxes, with those in the east and west being markedly different from those in the north and Ireland. The aperture, for the letter, was often vertical, rather than the now standard horizontal, and they were all of different shapes and sizes. One is believed to have been 2.4 metres (7.8 feet), tall. The only constant was that they were made off cast-iron.

It wasn't until 1857 that the Post Office launched a competition to standardise the shape and size of the postbox. Unbelievably, one of the original designs was designed with no aperture for the letters. This was remedied and the 'London Ornate Box' came into use, between 1857-1859. It was green with gold trim and had an enamel compass on its top. In fact, all postboxes were green, si that they blended with the landscape. It wasn't until 1884 that they would be painted the now familiar red.

A 'Wall Box' postbox.

In 1857 the 'Wall Box' was introduced as an economy measure, where space was a premium. These were usually in rural areas.

The 'First National Standard' postbox was unveiled in 1859. It was cylindrical, with a horizontal aperture beneath a hexagonal hood and was made from cast-iron.

A replica 'Penfold' type postbox, outside the General Post Office building.

The architect John Wornham Penfold designed a hexagonal model, in 1866, which would adopt his name and become known as the 'Penfold' postbox. These were cast-iron and stayed in use from 1866 till 1879. There were thirteen variations of this postbox, that were produced. Many of these postboxes, that you see today, are replicas of the originals and were introduced to historic places, such as Tower Bridge.

A Victorian 'anonymous' postbox, as it has no cypher.

In 1879, the 'Victorian Type A' and its smaller 'Victorian Type B' were introduced. It is this cylindrical design, with its circular convex top, that is still the most common style of postbox.

In 1896, the first 'Lamp Box' was installed, on an experimental basis. Much like the 'Wall Box', these were used where pavements were small, such as in rural areas.

In 1899, the first 'Type C' oval-shaped postboxes were introduced in London. These large, double-aperture pillar boxes were designed to increase capacity and pre-sort mail into 'London' and 'Country' destinations.

A postbox with a King Edward VII cypher.

In 1930, some 'Victorian Type B' postboxes were painted blue, to signify the 'Air Mail' service being offered. An 'Air Mail' sign was affixed to the top and the door showed both collection times and air mail charges.

Government Code & Cypher School (and a hidden message)

During World War I the British Army and Royal Navy both had separate intelligence agencies. Military Intelligence 1b, MI1(b) and Naval Intelligence Department 25, NID25, respectively. NID25 was initially known as Room 40, or 40 O.B., with O.B. referring to 'old building'. 

Following the conclusion of World War I the Cabinet's Secret Service Committee recommended that a peacetime codebreaking agency should be created. Lord Curzon, chairman of the Cabinet's Secret Service Committee, tasked Hugh Sinclair, Director of Naval Intelligence, with creating the new department.

Hugh Sinclair merged staff from NID25 with MI1(b), with the new agency consisting of between 25-30 officers, with roughly the same amount of clerical staff. Victor Forbes, of the Foreign Office, chose the cover-name 'Government Code & Cypher School (GC&CS).

The Government Code & Cypher School moved into Watergate House, Adelphi, with the Admiralty's Alastair Denniston, previously an NID25 officer, as its operational head. 

Its public directive was "to advise as to the security of codes and cyphers used by all Government departments and to assist in their provision". However, it also had a secret directive: "study the methods of cypher communications used by foreign powers".

Although officially formed on November 1, 1919, the Government Code & Cypher School produced its first decryption on October 19, 1919.

In 1921 the offices moved to the Broadway Buildings, opposite St James's Park, in the same building as the SIS, and came under the supervision of Hugh Sinclair. At the time Hugh Sinclair was Chief of SIS and Director of GC&CS.

On February 14, 2019, HM Queen Elizabeth II unveiled a City of Westminster plaque to mark the centenary of GCHQ.

However, keeping with the codebreaking, communications and cypher work of GCHQ, the plaque contains a hidden message, which most people don't even realise. 

Can you uncover the hidden message?

If you can't figure it out, there is a clue below. 

Various characters, on the plaque, have a dot or dash beneath them. 

If you find them all it reveals the message... 

Highlight the space between the quotation marks, below, to uncover the answer.

"1 HUNDRED YEARS"

So, did you work it out, or did you cheat?

Paddington Bear

Paddington Bear statue at Paddington station.

This statue of Paddington Bear, at Paddington station, is a bronze sculpture by Marcus Cornish. Considering Paddington Bear has been around since 1958 the statue wasn't erected until 2000.

The origins of London's most famous 'fictional' bear, Paddington, began in 1958, when Michael Bond wrote 'A Bear Called Paddington'. He had been shopping and seen a lone teddy bear, in a London shop, "looking forlorn", and based Paddington on him. It took Michael Bond just 10 days to write the first story.

Michael Bond remembered watching newsreels of children being evacuated, during World War II, who had labels around their necks, carrying bags containing their possessions, which gave him the inspiration for the style.

Paddington Bear plaque at Paddington station.

The first story, 'A Bear Called Paddington', sees the Brown family arriving at Paddington station and discovering the bear, sitting on his suitcase with a note attached to his coat that read , 'Please look after this bear. Thank you'. The Browns are unable to pronounce the bear's name in its bear language, so, they call him Paddington, as that is where they found him.

Originally, Paddington was to have "travelled from darkest Africa", but, as his agent pointed out, there are no bears in Africa, so he changed it to "darkest Peru", where the spectacled bear comes from. It is Paddington's Aunt Lucy who sends Paddington to London, as a stowaway, after his uncle Pastuzo has moved to a Home for Retired Bears, in Lima. Paddington tells them, "I came in a lifeboat and ate marmalade. Bears like marmalade."

32 Windsor Gardens, from 'Paddington' (2014).

So, the Brown family, that includes the parents, Henry and Mary, and their children, Jonathan and Judy, take Paddington home to 32 Windsor Gardens.

Paddington was always polite, addressing everyone with their title, but hardly ever using their first name. He also had a capacity to innocently get himself into trouble, while trying so hard to do things right.

However, those who incurred his disapproval would be met with one of his special 'hard stares'.

Queenhithe Mosaic and an Anglo-Saxon Dock

Some of the detail on the mosaic.

One of those wonderful little things that I love about London are the surprising finds that you can discover.

One such discovery is the Queenhithe Mosaic which, having been installed in 2014, I have seldom seen or heard about. 

The 30 metre mosaic tells the timeline of London from Roman times to the Diamond Jubilee of Queen Elizabeth II.

Well worn plaque.

What's more interesting than the mosaic, though, is the wall on which it is affixed. The wall surrounds the last remaining Anglo-Saxon dock... in the world. 

If you peer over the wall, especially at low tide, you can still see wooden remains, animal bones, pieces of clay pipes, shells, tiles and the typical flotsam and jetsam that is the hallmark of the River Thames. 

Looking into the Anglo-Saxon dock.

Below you will find a link to a video of the Mosaic.

Queenhithe Mosaic

'MV Royal Iris'

A forlorn sight.

As I was wandering along the River Thames from Greenwich to Woolwich, I spotted this rusting hulk, moored on the quayside, just east of the Thames Barrier.

She looked like a ferry, but not one that I was use to seeing on this particular river, so I knew that I would have to do some research, when I had finished my walk.

State Funeral of HM Queen Elizabeth II

 

Farewell, your Majesty.

Monday September 19, 2022.

I was unable, due to working and other responsibilities, to visit HM Queen Elizabeth II as she lay-in-state, so I made sure that I would be able to visit London on the day of her funeral.

With Erin and Keilyn up and ready, early, we headed off to catch a train to London. Changing from the Metropolitan line to the Jubilee line, at Finchley Road, we arrived at Green Park station at 09:30 and followed the crowds towards Hyde Park.

The stewards directed the crowds along Piccadilly and up Clarges Street to Curzon Street and up South Audley Street and onto Stanhope Gate. We then walked along Park Lane until we crossed the road and entered Hyde Park.

Giant TV screens in Hyde Park.

Not wanting to sit in front of the giant TV screens, that had been erected, we headed south towards Hyde Park Corner. This area was already full, so, turning west, I led the girls along South Carriage Drive until we were opposite the Household Cavalry Mounted Regiment barracks. With few people in this area we took up position by the barriers and waited. It was 10:36.

Household Cavalry Mounted Regiment barracks.

At 10:48 the Household Cavalry Mounted Regiment left the barracks and headed towards Westminster, our position providing the perfect location from which to watch.

Household Cavalry Mounted Regiment head off to perform their duties.

Then, at 11:36, the King's Troop Royal Artillery passed us, heading to a section of sealed off park from where the gun salute would be fired.

King's Troop Royal Horse Artillery on their way to perform the gun salute.

With rucksacks full of food, snacks and drinks we had a small picnic as we waited for the procession. With toilets directly behind us and water filling stations situated quite close, everything we needed was in close proximity.

Walking with my mum: HM Queen Elizabeth II, The BBC and Angels

Broadcasting House entrance.

Thursday June 27, 2013

Having travelled to Baker Street, via the Metropolitan line, mum and I decided to walk to BBC Broadcasting House, where we could grab a coffee and look at the new building. Having walked along the Marylebone Road, we turned on to Portland Crescent where we noticed a black Bentley pulled up at the junction. We both took a quick glance in the back. Looked at each other. Then looked back at the lady with white hair in the rear of the Bentley. It was none other than Her Majesty Queen Elizabeth II. Too soon the car pulled away, so we were unable to get any photographs. Still shocked to have seen Her Majesty, we continued on with our journey. 

Arriving at BBC Broadcasting House, we went in to the World Piazza and grabbed a coffee at the Caffé Nero. Sitting by the window we could see the hustle and bustle of the people coming and going, many of them BBC workers. Others were there for tours or, like us, just there to see this magnificent building. 

Me with a Dalek.

After our coffee we headed into the Broadcasting House via the main thoroughfare, which brings you into the main foyer. To our right was a BBC News studio mock-up, where you could read the news or present the weather to the public, who stood around awaiting their turn. To our left was the entrance to the Radio Theatre and the Media Café, which was guarded by a Dalek. After the obligatory photograph, with said Dalek, we were scanned by Security and headed into the Media Café. The café has a glass wall, behind which is the heart of BBC News. 

Looks like a clear day ahead.

To the left is the BBC weather set and the various meteorologists. In the centre (read basement) is the hub of news journalists and the BBC news studio. As the weather bulletin was being broadcast, make-up technicians were ‘touching-up’ Matthew Amroliwala and Jane Hill. 

BBC News... live.

After a good look around and plenty of photographs had been taken (WITHOUT the FLASH), we headed back outside to get some photographs of the building itself. The World Piazza is covered in over 750 flagstones, each carrying the name of a city or place from around the World. From Tombstone to Gibraltar and all places in-between.